Karl Wiener Prints – Colour Landscapes, Figures & Geometric Line

Karl Wiener prints range from simplified mountain scenery to faces intersected by angular lines and blocks of colour. Quiet outdoor spaces sit beside more concentrated figure compositions. Follow the collection through its shifting balance of recognisable subjects and constructed forms, alongside abstract art and Expressionist prints.

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Landschaft in Blue and Lilac, Karl Wiener Print
From £17.85
Landscape III (1943), Karl Wiener Print
From £14.70
Untitled Austrain Mountain Landscape (1943), Karl Wiener Print
From £14.70
Landscape (1928), Karl Wiener Print
From £17.85
Landscape (1943), Karl Wiener Print
From £14.70
Küchenhaus Hundsdorf (1925), Karl Wiener Print
From £17.85
House in forest landscape (1943), Karl Wiener Print
From £17.85
The Three Epidemics (ca. 1926), Karl Wiener Print
From £14.70
The Snob (c1928), Karl Wiener Print
From £17.85
Euphoria, Self portrait, Karl Wiener Abstract Print
From £17.85
Demon, Karl Wiener Abstract Print
From £17.85
Untitled Abstract, Karl Wiener Print
From £14.70
Collage II The End, Karl Wiener Photomontage Print
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Woman and Two Bomber Planes, Karl Wiener Photomontage Print
From £14.70
Memory of Else U., Karl Wiener Abstract Print
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Three Men, Karl Wiener Abstract Print
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The Widow, Karl Wiener Abstract Print
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The Moloch, Karl Wiener Abstract Print
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Alone, Karl Wiener Photomontage Print
From £14.70

A landscape reduced to clear colour

Landschaft in Blue and Lilac sets a pale lilac slope against a deep blue distance, with small dark trees at one edge. The broad areas remain largely unbroken. A few cloud forms and narrow horizontal marks establish space without the dense detail found in a more descriptive landscape.

The face within a network of lines

Euphoria, Self Portrait centres a head beneath intersecting straight lines, pale geometric areas and small coloured circles. The eyes remain a strong focus within the angular framework. Compare the carefully outlined features with the wider linear structure, which continues beyond the figure into the surrounding space.

Portrait and divided background

Collage II, The End places a woman’s face against red and orange planes crossed by dark horizontal and vertical bands. The face itself is divided into differently coloured areas. This close view gives the geometry a direct relationship to the sitter rather than using it to organise an open landscape.

Related artists and collections

Compare angular figures in Egon Schiele, intersecting forms in František Kupka and colour relationships in Wassily Kandinsky. The geometric abstract collection develops the constructed side of these works, while figurative art keeps the focus on faces, bodies and expression.

Read more in our guide to Karl Wiener.