The Church of Souain, Félix Vallotton

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Details
Vallotton was 48 when war broke out and he felt redundant on learning that he was too old to serve his adopted country (he become a French citizen in 1900). He was profoundly affected by the violence in reports coming back from the front lines and following the 1916 French victory at Verdun, Vallotton wrote, "Out of the all the horror rises a perfect nobility; we are becoming truly proud to be on the side of humanity, and whatever happens, the French name is made young again with a lustre unknown until now".

In 1917 Vallotton was able to show his patriotism by accepting a commission from the French Ministry of Fine Arts to tour the Champagne front. There he found once proud towns and villages reduced to rubble and ruins. The artist asked himself, "What to represent of all this?". Souain had been the setting for two battles and was now an area used to test the ability of French tanks to cross razed terrains. Silhouetted against the backdrop of a desolate late afternoon sky, the hollow ruins of the church represent the senselessness and destructiveness of the ongoing war. The painting was produced in the studio based on sketches the artist made on his tour. Vallotton endows this view of the church with a cool detachment. His treatment of the subject is in fact more akin to the background painting for an animated film than the kind of meditation one might expect on the wreckage caused by conflict. The flattened colours, bold outlines, silhouetted trees and cartoon-like rendering of the wall, tiles and stone are stylised in the simple manner reminiscent of his woodcut prints.
Félix Édouard Vallotton (1865 – 1925) was a Swiss and French painter and printmaker associated with the group of artists known as Les Nabis. He was an important figure in the development of the modern woodcut. He painted portraits, landscapes, nudes, still lifes, and other subjects in an unemotional, realistic style.
Available as a fine art print and as a stretched canvas panel (heavy fine art canvas stretched over 1.5 inch deep edge solid wood frame).

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All prints are made using archival art stocks and UV pigment inks to give up to 200 years life. Prints are sold unframed and unmounted.

 

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All orders for unframed fine art prints and original paintings are dispatched within 2 working days of receipt of payment.

Orders for custom framed prints are dispatched within 4 working days.

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Size and Printed Materials

Fine art papers are printed without any additional white border Please let us know at the time of ordering if you would like a small additional white border.

Rolled canvas options have an additional white border of approximately 2.5 inches (7cm) on all 4 sides to aid stretching.

Ready to hang canvas panels are stretched on 1.5 inch deep solid pine frames from sustainable forestry sources. The image is mirrored on all 4 sides to give an aesthetically pleasing finish.

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Framing Options - Instructions

We have a wide range of frames in standard sizes and we also make custom size frames.

To order a framed print:

1. select the print size you would like along with the print materials (matte paper, fine art paper).

2. Add your print choice to the basket.

3. Choose from our range of frames

4. Select the same size as the print you have added to your basket. If the frame size you want is not listed please contact us

5. Choose from the mount or no-mount option

6. Add your frame choice to the basket

7. Proceed to checkout.

Why Choose GalleryThane?

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