Abstract Counter-composition XV, Theo van Doesburg
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His first exhibition was in 1908. From 1912 onwards, he supported his works by writing for magazines. He considered himself to be a modern painter, at that time, although his early work is in line with the Amsterdam Impressionists and is influenced by Vincent van Gogh, both in style and subject matter.
This suddenly changed in 1913 after reading Wassily Kandinsky's Rückblicke, in which he looks back at his life as a painter from 1903 to 1913. It made him realize there was a higher, more spiritual level in painting that originates from the mind rather than from everyday life, and that abstraction is the only logical outcome of this. It was already in 1912 that Van Doesburg was criticizing Futurism in an art article in Eenheid no. 127, on 9 November 1912, because "The mimetic expression of velocity (whatever its form may be: the aeroplane, the automobile, and so on) is diametrically opposed to the character of painting, the supreme origin of which is to be found in inner life". On 6 November 1915, he wrote in the same journal: "Mondrian realizes the importance of line. The line has almost become a work of art in itself; one can not play with it when the representation of objects perceived was all-important. The white canvas is almost solemn. Each superfluous line, each wrongly placed line, any color placed without veneration or care, can spoil everything—that is, the spiritual".
All prints are made using archival art stocks and UV pigment inks to give up to 200 years life. Prints are sold unframed and unmounted.
All orders for unframed fine art prints and original paintings are dispatched within 2 working days of receipt of payment.
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Fine art papers are printed without any additional white border Please let us know at the time of ordering if you would like a small additional white border.
Rolled canvas options have an additional white border of approximately 2.5 inches (7cm) on all 4 sides to aid stretching.
Ready to hang canvas panels are stretched on 1.5 inch deep solid pine frames from sustainable forestry sources. The image is mirrored on all 4 sides to give an aesthetically pleasing finish.
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We have a wide range of frames in standard sizes and we also make custom size frames.
To order a framed print:
1. select the print size you would like along with the print materials (matte paper, fine art paper).
2. Add your print choice to the basket.
3. Choose from our range of frames
4. Select the same size as the print you have added to your basket. If the frame size you want is not listed please contact us
5. Choose from the mount or no-mount option
6. Add your frame choice to the basket
7. Proceed to checkout.
Why Choose GalleryThane?
- Printed and framed in-house
- Free UK delivery
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- Tracking and insurance included in every order
- Fast 1-3 day dispatch
- Gift wrapping service available
- Gallery quality materials
- Sustainable, eco-friendly packaging
- Great customer support
What makes our Prints and Canvas Panels so special
Latest Giclee Printing Technology
We have invested in the latest wide format print technology to produce museum quality giclee prints utilising the highest quality pigment inks to give outstanding colour reproduction.
Museum Quality Archival Fine Art Papers
We print on the finest quality fine art papers with textured, smooth and lustre finishes for prints which last a lifetime.
From aceo miniatures to 40x80 inch large format, every print has our lifetime quality guaranteee.
Solid Wood Frames, Cotton Canvas
All of the wood for our canvas panels and frames is responsibly sourced from manages forests. Our cotton canvas is completely seedless for the highest quality reproduction possible.
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