Harold Gilman Prints – Domestic Figures & Patterned Rooms

Harold Gilman prints make walls, furniture and fabric active parts of the figure scene. A large green table or repeated stripes can organise the room around a small, absorbed gesture. Browse these interiors alongside Walter Sickert, Spencer Gore and other figurative prints.

Filter
6 products
Most relevantBest sellingAlphabetically, A-ZAlphabetically, Z-APrice, low to highPrice, high to lowDate, old to newDate, new to old
Filters
Sort by
Harold Gilman Fine Art Print, Sylvia Darning
From £22.04
Harold Gilman Fine Art Print, Nude in an Interior
From £18.90
Harold Gilman Fine Art Print, Mrs Mounter
From £18.90
Harold Gilman Fine Art Print, Mother and Child
From £18.90
Harold Gilman Fine Art Print, Stanislawa de Karlowska
From £22.04
Harold Gilman Fine Art Print, Girl Dressing
From £22.04

A small activity beside a broad table

Sylvia Darning places the seated woman near the edge of a large green tabletop, with a vase and open book farther left. Patterned wallpaper and framed pictures divide the walls. The table’s strong colour gives the room its main mass, leaving the figure as a quieter focus within it.

A seated pose among pink verticals

Nude in an Interior centres the figure against a warm striped wall, with pale bedding in the foreground. Small contrasting marks build the skin and surrounding fabric. The closely related background colours keep the room intimate while the darker head and shoulders separate the body from the repeated pattern.

A profile against green and yellow

Stanisława de Karłowska presents the seated sitter in a striped garment, her head turned towards the right. Strong vertical bands behind her echo the clothing’s narrower lines. The chair and lowered hands anchor the pose, giving the lively colour pattern a clear human structure.

Related artists and collections

Compare occupied interiors in Walter Sickert, patterned colour in Spencer Gore and domestic spaces in Robert Polhill Bevan. Further portrait and figure art follows the sitters, while Post-Impressionist prints extends the use of strong colour to organise familiar surroundings.

Read more in our guide to Walter Sickert.