George Ault Prints – Nocturnes, Buildings & Quiet Places
George Ault prints explore buildings, quiet roads, interiors and waterfronts through clearly defined forms. Light can isolate a structure within darkness or bring the lines of an ordinary room into focus. Browse unframed prints, framed prints and canvas panels, alongside architectural art and landscape prints.
The road beneath a single light
Bright Light at Russell’s Corners gathers a red building, a pale façade and a curve of road around a pool of illumination. The surrounding darkness leaves only selected forms visible. Other nocturnes introduce houses, moons and city settings with different balances of lit and unlit space.
The interior organised by structure
Studio Interior gives stairs, boards and a red stove a clear arrangement within the room. Slanting lines and the dark stove pipe connect different parts of the image. The ordinary objects remain distinct, allowing the setting to be explored through its shapes as well as its possible use.
The waterfront in daylight
The Wharf, Provincetown brings pale buildings above a row of long supports beside the water. The clearer daylight offers a contrast with the sharply isolated night buildings. Browse cityscape prints for other structures viewed from streets, shores and rivers.
Related artists and collections
Compare American places in Edward Hopper, the buildings of Charles Demuth and the coloured landscapes of Oscar Bluemner. The wider landscape collection offers further approaches to stillness, space and changing light.
Read more in our guide to George Ault.