David Kakabadzé paintings

David Kakabadzé Prints

David Kakabadzé, a Georgian modernist, bridged tradition and innovation, fusing his homeland’s heritage with European avant-garde movements. Renowned for painting, design, and experimental art, he embraced technology and abstraction. Despite Soviet constraints, his visionary work remains a testament to art’s power to transcend cultural and temporal boundaries.

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Abstraction Based on Sails VI, David Kakabadzé Print
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Abstraction Based on Sails X, David Kakabadzé Print
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Abstraction Based on Sails VIII, David Kakabadzé Print
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Abstraction Based on Sails VI, David Kakabadzé Print
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Abstraction Based on Sails V, David Kakabadzé Print
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Abstraction Based on Sails IX, David Kakabadzé Print
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Abstraction Based on Sails IV, David Kakabadzé Print
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Abstraction Based on Sails, II, David Kakabadzé Print
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Abstraction Based on Sails, I, David Kakabadzé Print
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Abstraction Based on Flower Forms, VI, David Kakabadzé Print
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Abstraction Based on Flower Forms, V, David Kakabadzé Print
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Abstraction Based on Flower Forms, IV, David Kakabadzé Print
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Abstraction Based on Flower Forms, III, David Kakabadzé Print
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Abstraction Based on Flower Forms, II, David Kakabadzé Print
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Abstraction Based on Flower Forms, I, David Kakabadzé Print
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André Derain – Big Ben Prints & Canvas Panels
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André Derain – Barques au port de Collioure Prints & Canvas Panels
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André Derain – The Dance Prints & Canvas Panels
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Back, Fine Art Print, by André Derain
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Camille Pissarro Print, London, St. Paul’s Cathedral (1890)
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Camille Pissarro Print, The Hillsides of Thierceville, Haystacks, Shepherd and Flock (1897)
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Camille Pissarro Print, The Hillsides of Gisors, Gray Weather (1885)
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Camille Pissarro Print, The Chou quarries, Pontoise (1882)
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Camille Pissarro Print, The Village through the Trees (circa 1869)
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Camille Pissarro Print, The Pont-Neuf, snow and fog effect (1902)
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Utagawa Kuniyoshi, Japanese Fine Art Print, Genpei kassen- Settsu Banshu
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Camille Pissarro Print, The Pont-Neuf, rainy afternoon (1901)
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Camille Pissarro Print, The Royal Bridge and the Pavillon de Flore (1903)
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Camille Pissarro Print, The Harvest (1880)
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Camille Pissarro Print, Banks of the Epte at Éragny
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Camille Pissarro Print, The Egg Market (1884)
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Camille Pissarro Print, The Louvre, Morning, Spring (1902)
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Camille Pissarro Print, Le Louvre (1902)
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Camille Pissarro Print, Le Jardin Des Tuileries Et Le Pavillon De Flore, Matin, Printemps (1900)
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Camille Pissarro Print, Le Jardin d’Octave Mirbeau, la terrasse, Les Damps (1892)
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David Kakabadzé, a pioneering figure in Georgian modernism, wove the traditional with the avant-garde, crafting a body of work that transcended time and space. Born in 1889 in the small Georgian village of Kukhi, his early life was steeped in the rich cultural tapestry of his homeland, which profoundly influenced his artistic vision. Kakabadzé’s work is a kaleidoscope of modernist abstraction and classical Georgian themes, reflecting both his reverence for heritage and his pursuit of innovation. His artistry was not confined to painting; he was a trailblazer in graphic design, sculpture, and experimental filmmaking, making him one of the most versatile artists of his time. Kakabadzé's time in Paris in the 1920s exposed him to the burgeoning currents of Cubism, Futurism, and Constructivism, which he skillfully absorbed into his creative practice. Yet, unlike many of his contemporaries who abandoned their roots for Western ideals, Kakabadzé maintained a dialogue between his native Georgian traditions and European modernism. This duality became his hallmark, evident in his series of landscapes, where the rugged beauty of the Georgian countryside is rendered with a striking geometric precision. Perhaps most striking was his fascination with the intersection of art and technology. Kakabadzé was ahead of his time in exploring the possibilities of kinetic art and multimedia. He experimented with reflective materials and even conceptualized devices to create three-dimensional illusions, a testament to his visionary approach. His works often evoke a sense of movement and dynamism, bridging the tactile and the ethereal. Despite his innovative spirit, Kakabadzé faced significant challenges under Soviet rule, where his avant-garde tendencies were met with skepticism and censorship. Yet, he remained resolute, contributing to the cultural fabric of Georgia through teaching and public projects. His work continues to inspire, celebrated for its synthesis of the local and the universal, the past and the future. Kakabadzé's legacy endures as a reminder of the boundless potential of art to transcend borders and epochs. His ability to intertwine tradition with innovation speaks to an artist unafraid to explore, adapt, and redefine.