Art News and Articles

Claude Monet was the leader of the French Impressionist movement, literally giving the movement its name. As an inspirational talent and personality, he was crucial in bringing its adherents together. Interested in painting in the open air and capturing natural light, Monet would later bring the technique to one of its most famous pinnacles with his series paintings, in which his observations of the same subject, viewed at various times of the day, were captured in numerous sequences.

For every picturesque painting that is considered pleasing to the eye, there is at least one strange and bizarre counterpart. We usually avert our gaze from these so-called oddities, because, well, they’re just weird or uncomfortable to look at. But many of these challenging artworks have hidden meaning or strange background stories. 

Joaquín Sorolla was a Spanish Valencian painter. Sorolla excelled in the painting of portraits, landscapes and monumental works of social and historical themes. His most typical works are characterized by a dexterous representation of the people and landscape under the bright sunlight of Spain and sunlit water.

Félix Édouard Vallotton (1865 – 1925) was a Swiss and French painter and printmaker associated with the group of artists known as Les Nabis. He was an important figure in the development of the modern woodcut. He painted portraits, landscapes, nudes, still lifes, and other subjects in an unemotional, realistic style.

The Fifty-Three Stations of the Tōkaidō is a series of ukiyo-e woodcut prints created by Utagawa Hiroshige after his first travel along the Tōkaidō in 1832. The Tōkaidō road, linking the shōgun's capital, Edo, to the imperial one, Kyōto, was the main travel and transport artery of old Japan.

Henri Rousseau (1844 – 1910) was a French post-impressionist painter in the Naïve or Primitive manner. He was also known as Le Douanier (the customs officer), a humorous description of his occupation as a toll and tax collector. Rousseau's work exerted an extensive influence on several generations of avant-garde artists.

Egon Schiele (1890 – 1918) was an Austrian Expressionist painter. His work is noted for its intensity and its raw sexuality, and for the many self-portraits the artist produced, including nude self-portraits. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings mark the artist as an early exponent of Expressionism.

Michelangelo Merisi da Caravaggio (1571 – 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting.

Ivan Konstantinovich Aivazovsky was an Armenian-Russian Romantic painter who is considered one of the greatest masters of marine art. He was born into an Armenian family in the Black Sea port of Feodosia in Crimea and was mostly based there.

Gustav Klimt, a name synonymous with artistic innovation and sensuous beauty, is one of the most celebrated figures in the history of art. His mesmerizing works, characterized by intricate patterns, sensuality, and a unique blend of symbolism and realism, have left an indelible mark on the world of art. Born on July 14, 1862, in Baumgarten, a suburb of Vienna, Klimt's journey from humble beginnings to becoming a leading figure of the Viennese Secession movement is a testament to his artistic genius and determination.

The Vienna Secession, a revolutionary art movement that emerged in the late 19th century, marked a pivotal moment in the history of Austrian and European art. This movement, characterized by its rejection of traditional academic art and embrace of modernism, left an indelible mark on the cultural landscape of Vienna and beyond.

The Ashcan School, also called the Ash Can School, was an artistic movement in the United States during the late 19th-early 20th century that produced works portraying scenes of daily life in New York, often in the city's poorer neighborhoods