Thomas Dewing, The White Birch (1899)

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Thomas Dewing, The White Birch (1899)

The White Birch was one of the last works Dewing painting in Cornish and can be seen as the culmination of his visual explorations of the time. This seminal work manifests Whistler’s famed 1885 “Ten O’Clock” lecture, “Nature contains the elements, in colour and form, of all pictures, as the keyboard contains the notes of all music. But the artist is born to pick, and choose, and group with science, these elements, that the results may be beautiful—as the musician gathers his notes, and forms his chords, until he bring forth from chaos glorious harmony. To say to the painter, that Nature is to be taken as she is, is to say to the player, that he may sit on the piano.”

Although inspired by the verdant New Hampshire landscape, The White Birch presents an ethereal, spatially ambiguous composition that verges on pure abstraction. Diaphanous washes of oil are juxtaposed with the thick weave of the canvas to create a shimmering surface. Subtle modulations of green, blue and mauve are punctuated by dashes of pink, white and blue, creating a dreamlike and slightly disorienting environment. This disorientation is further heightened by the abstrusely defined horizon line. Dewing’s thoroughly modern approach to the sky seamlessly incorporates exposed canvas with tones of mottled mauve and blue. He masterfully employs equiluminant colors which, “have long been recognized by artists as being special because they can generate a sense of vibration, motion, or sometimes an eerie quality”

Thomas Dewing was best known for his tonalist paintings, a genre of American art that was rooted in English Aestheticism. Dewing's preferred vehicle of artistic expression is the refined, aristocratic female figure situated in a moody and dreamlike surrounding.

Available as a fine art print and as a stretched canvas panel (heavy fine art canvas stretched over 1.5 inch deep edge solid wood frame).

highest quality canvas panels

deep edge canvas prints

  

All prints are made using archival art stocks and UV pigment inks to give up to 200 years life. Prints are sold unframed and unmounted.

 

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Size and Printed Materials

Fine art papers are printed without any additional white border Please let us know at the time of ordering if you would like a small additional white border.

Rolled canvas options have an additional white border of approximately 2.5 inches (7cm) on all 4 sides to aid stretching.

Ready to hang canvas panels are stretched on 1.5 inch deep solid pine frames from sustainable forestry sources. The image is mirrored on all 4 sides to give an aesthetically pleasing finish.

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