Gustave Dore Fine Art Print : Don Quixote Illustration

$16.00

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Gustave Dore Fine Art Print : Don Quixote Illustration

Doré was born in Strasbourg on 6 January 1832. By age 5 he was a prodigy artist, creating drawings that were mature beyond his years. Seven years later, he began carving in stone.[citation needed] At the age of 15, Doré began his career working as a caricaturist for the French paper Le journal pour rire. Wood-engraving was his primary method at this time. In the late 1840s and early 1850s, he made several text comics, like Les Travaux d'Hercule (1847), Trois artistes incompris et mécontents (1851), Les Dés-agréments d'un voyage d'agrément (1851) and L'Histoire de la Sainte Russie (1854). Doré subsequently went on to win commissions to depict scenes from books by Cervantes, Rabelais, Balzac, Milton, and Dante. He also illustrated "Gargantua et Pantagruel" in 1854.

In 1853 Doré was asked to illustrate the works of Lord Byron. This commission was followed by additional work for British publishers, including a new illustrated Bible. In 1856 he produced 12 folio-size illustrations of The Legend of The Wandering Jew, which propagated longstanding antisemitic views of the time, for a short poem which Pierre-Jean de Béranger had derived from a novel of Eugène Sue of 1845.

In the 1860s he illustrated a French edition of Cervantes's Don Quixote, and his depictions of the knight and his squire, Sancho Panza, have become so famous that they have influenced subsequent readers, artists, and stage and film directors' ideas of the physical "look" of the two characters. Doré also illustrated an oversized edition of Edgar Allan Poe's "The Raven", an endeavor that earned him 30,000 francs from publisher Harper & Brothers in 1883.

Doré's illustrations for the Bible (1866) were a great success, and in 1867 Doré had a major exhibition of his work in London. This exhibition led to the foundation of the Doré Gallery in Bond Street, London. In 1869, Blanchard Jerrold, the son of Douglas William Jerrold, suggested that they work together to produce a comprehensive portrait of London. Jerrold had obtained the idea from The Microcosm of London produced by Rudolph Ackermann, William Pyne, and Thomas Rowlandson (published in three volumes from 1808 to 1810). Doré signed a five-year contract with the publishers Grant & Co that involved his staying in London for three months a year, and he received the vast sum of £10,000 a year for the project. Doré was mainly celebrated for his paintings in his day. His paintings remain world-renowned, but his woodcuts and engravings, like those he did for Jerrold, are where he excelled as an artist with an individual vision.

The completed book London: A Pilgrimage, with 180 wood-engravings, was published in 1872. It enjoyed commercial and popular success, but the work was disliked by many contemporary critics. Some of these critics were concerned by the fact that Doré appeared to focus on the poverty that existed in parts of London. Doré was accused by The Art Journal of "inventing rather than copying". The Westminster Review claimed that "Doré gives us sketches in which the commonest, the vulgarest external features are set down". The book was a financial success, however, and Doré received commissions from other British publishers.[citation needed]

Doré's later work included illustrations for new editions of Coleridge's Rime of the Ancient Mariner, Milton's Paradise Lost, Tennyson's Idylls of the King, The Works of Thomas Hood, and The Divine Comedy. Doré's work also appeared in the weekly newspaper The Illustrated London News.

Doré never married and, following the death of his father in 1849, he continued to live with his mother[citation needed], illustrating books until his death in Paris following a short illness. The city's Père Lachaise Cemetery contains his grave.[ At the time of his death in 1883, he was working on illustrations for an edition of Shakespeare's plays. The government of France made him a Chevalier de la Légion d'honneur in 1861.


Available as a fine art print and as a stretched canvas panel (heavy fine art canvas stretched over 1.5 inch deep edge solid wood frame)

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deep edge canvas prints

Canvas panel sizes:

8x12 inches

16x24 inches

20x30 inches

 

All prints are made using archival art stocks and UV pigment inks to give up to 200 years life. Prints are sold unframed and unmounted.

 

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All orders for unframed fine art prints and original paintings are dispatched within 2 working days of receipt of payment.

Orders for custom framed prints are dispatched within 4 working days.

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Size and Printed Materials

Fine art papers are printed without any additional white border Please let us know at the time of ordering if you would like a small additional white border.

Rolled canvas options have an additional white border of approximately 2.5 inches (7cm) on all 4 sides to aid stretching.

Ready to hang canvas panels are stretched on 1.5 inch deep solid pine frames from sustainable forestry sources. The image is mirrored on all 4 sides to give an aesthetically pleasing finish.

Gift Wrap Option

Why not have us gift wrap your order and attach a personalised message to the recipient. Available for all orders. Each order is hand wrapped in high quality gift wrap with meatllic ribbon and bow. Your personalised message is printed on a card which is included with your order.

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Why Choose GalleryThane?

  • Printed and framed in-house
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What makes our prints and canvas panels so special

Latest pigment ink fine art printers1

Latest Giclee printing technology

We have invested in the latest wide format print technology to produce museum quality giclee prints utilising the highest quality pigment inks to give outstanding colour reproduction.

Museum quality Archival art papers2

Museum quality archival fine art papers

We print on the finest quality fine art papers with textured, smooth and lustre finishes for prints which last a lifetime. From aceo to 40x80 inch large format, every print has our lifetime quality guarantee.

Solid wood frames, cotton canvas3

Solid wood frames, cotton canvas

 All of the wood for our canvas panels and frames is responsibly sourced from managed forests. Our cotton canvas is completely seedless for the highest quality reproduction possible.

Picture Frames, Custom Made Print Frames - Lots of Sizes

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Have your choice of prints mounted and framed from our wide range of colours and styles.

Have your gift wrapped

Why not have us gift wrap your order and attach a personalised message to the recipient. Available for all orders. Each order is hand wrapped in high quality gift wrap with meatllic ribbon and bow. Your personalised message is printed on a card which is included with your order.

Gift Wrap Any Order - With Personalised Message

WHAT OUR CUSTOMERS SAY

This was a present for my wife and she loves it. The quality is very good. Thanks for your excellent service.

Fantastic packaging and a stunning print. Thank you!

Great quality and a good idea to include a 'free gift' mini-pic to show what the other finishes are like.

Really excellent print quality! I have just had my print framed and it looks great thank you

This arrived quickly and is great quality, thank you! :)

My art print arrived quickly and in excellent condition! Very high quality print! Thank you!!

love my print! Very fast professional service Thank you very much

I ordered the canvas panel as a gift for my sister and she was delighted the canvas is really good quality and perfectly stretched. The finish on the back was really profesionally done too

Amazing print well printed and a reasonable price