Paul Gauguin Prints – Brittany, Tahiti & Still Life

Paul Gauguin prints bring together Breton landscapes, Tahitian figures, symbolic scenes and still lifes. Strong outlines and broad areas of colour give these works a distinctive presence, from the red ground of Vision After the Sermon to the figures of Two Tahitian Women. Explore unframed prints, framed prints and canvas panels, or follow related approaches to colour in Paul Sérusier and Post-Impressionist art.

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Paul Gauguin Print : Tahitian Landscape (1891)
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Paul Gauguin Print : Still Life with Three Puppies (1888)
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Paul Gauguin Print : Still Life with Teapot and Fruit (1896)
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Paul Gauguin Print : Self-Portrait (1889)
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Paul Gauguin Print : Still Life With Profile Of Laval (1886)
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Paul Gauguin Print : Still Life with Peonies (1884)
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Paul Gauguin Print : Still Life with Flowers and Idol (circa 1892)
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Paul Gauguin Print : Still Life (circa 1877)
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Paul Gauguin Print : Self-portrait with portrait of Bernard, ‘Les Misérables’
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Paul Gauguin Print : Self-Portrait Dedicated to Carrière (1888)
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Paul Gauguin Print : Self Portrait (ca. 1893)
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Paul Gauguin Print : Schuffenecker’s Studio (1889)
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Paul Gauguin Print : Rouen, L’église Saint-Ouen (1884)
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Paul Gauguin Print : Roses and statuette (1889)
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Paul Gauguin Print : Riders on the Beach (I) (1902)
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Paul Gauguin Print : Near Arles, or Le Mas d’Arles (1888)
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Paul Gauguin Print : Pont-Aven under the snow, or Snow effect (1888)
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Paul Gauguin Print : Barbarian Poems (1896)
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Paul Gauguin Print : Little Breton with Goose (1889)
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Paul Gauguin Print : Fisherman and bathers on the Aven (1888)
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Paul Gauguin Print : Paysage de Te vaa (1896)
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Paul Gauguin Print : Parau Parau (Whispered Words) (1892)
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Paul Gauguin Print : Parau na te Varua ino (Words of the Devil) 1892
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Paul Gauguin Print : Parau Api (What News?)
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Brittany and symbolic colour

The Yellow Christ sets a yellow figure of Christ within an autumnal landscape, with Breton women gathered nearby. In Vision After the Sermon, the red ground separates the pictured event from an everyday account of the visible world. Both works show how Gauguin could use colour and simplified space to give a religious subject a strongly imaginative character.

Tahitian figures and landscapes

Two Tahitian Women presents two figures against a dark, leafy background. Elsewhere in the collection, Tahitian subjects include women at rest, trees, houses, shorelines and groups of figures. These paintings should be approached as Gauguin’s constructed images, shaped by his choices of pose, colour and setting, rather than as a neutral record of island life.

Flowers, fruit and changing settings

The collection also includes European landscapes, self-portraits and still lifes of flowers, fruit and domestic objects. This range offers a way to compare Gauguin’s treatment of familiar subjects with his more explicitly symbolic compositions. Browse the wider still-life collection for further arrangements of objects, or landscape prints for related views of the natural world.

Related artists and collections

Continue with Paul Sérusier for Breton subjects and simplified colour, Maurice Denis for decorative figure painting, and Pierre Bonnard for intimate scenes built through colour. The Post-Impressionist collection places these different approaches together.

Read more in our guide to Paul Gauguin.