Marie Egner Prints

Marie Egner Prints

Marie Egner was an Austrian painter celebrated for her exquisite landscapes and floral studies, blending naturalism with emotional resonance. Influenced by Emil Jakob Schindler, she embraced plein air techniques and later incorporated Impressionist elements. Despite societal challenges, Egner’s work flourished, earning her a lasting legacy in the Austrian art world.

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Marie Egner Print, A Flower Lover on a Sunny Terrace
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Marie Egner Print, A Flower Lover on a Sunny Terrace
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George Bellows Print, The Sand Cart
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George Bellows Print, Storm Sea (1913)
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George Bellows Print, Old Barn, Shady Valley (1920)
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George Bellows Print, New York (1911)
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George Bellows Print, Cleaning Fish (1913)
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George Bellows Print, Builders of Ships (1916)
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George Bellows Print, Through the Trees, Monhegan Island, Maine
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George Bellows Print, Rain on the River (1908)
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George Bellows Print, Pennsylvania Station Excavation
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George Bellows Print, Paradise Point (1919)
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George Bellows Print, North River (1908)
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George Bellows Print, Mountain Farm (1922)
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George Bellows Print, Evening Blue (Tending the Lobster Traps) (1916)
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George Bellows Print, Dock Builders
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George Bellows Print, A Day in June (1913)
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George Bellows Print, Bethesda Fountain (1905)
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Jessica Hayllar Fine Art Print, Tree Peony
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Jessica Hayllar Fine Art Print, Primroses
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Jessica Hayllar Fine Art Print, Apple Blossom
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Marie Egner was a remarkable Austrian painter whose career bridged the late 19th and early 20th centuries, embodying the transition from academic traditions to more modern artistic expressions. Born in 1850 in Bad Radkersburg, Austria, Egner’s talent for painting became evident early. Encouraged by her family, she pursued formal training under several notable artists, including Carl Wurzinger in Graz and later Emil Jakob Schindler, a key figure in Austrian landscape painting. Schindler's influence deeply shaped her early works, which were characterized by a naturalistic style infused with poetic light and atmosphere. Egner excelled in capturing the subtleties of nature, particularly in her delicate watercolors of flowers and foliage. Her works often celebrated the ephemeral beauty of the natural world, blending scientific precision with an almost spiritual reverence. She became known for her plein air technique, painting landscapes directly from life to preserve their immediacy and vibrancy. Her color palette, while restrained, exuded harmony and captured the shifting moods of the seasons. This ability to marry technical skill with emotional depth earned her recognition in Austria and beyond. As a woman in a male-dominated art world, Egner faced considerable challenges but remained steadfast in her pursuit of excellence. She exhibited widely, participating in the Vienna Secession’s avant-garde shows and gaining membership in the Vereinigung bildender Künstlerinnen Österreichs, an association for female artists. Egner’s involvement in these progressive movements demonstrated her adaptability and commitment to innovation, despite societal constraints on women artists during her time. In her later years, Egner’s style evolved, showing the influence of Impressionism and early Modernism. Her compositions became looser, her brushwork freer, and her exploration of light more experimental. However, her later career was overshadowed by personal hardships and the tumult of World War I. She continued to paint until her death in 1940, leaving behind a body of work that celebrates the enduring beauty of nature and the quiet resilience of a woman dedicated to her craft.