Franz von Lenbach paintings

Franz von Lenbach Prints

Franz von Lenbach, a masterful 19th-century German portrait painter, gained fame for his insightful and nuanced depictions of political and intellectual figures. His works blended technical prowess with a deep understanding of his subjects' inner lives, earning him recognition across Europe and a lasting legacy in the world of portraiture.

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Franz von Lenbach Fine Art Print, Shepherd Boy
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Franz von Lenbach Fine Art Print, Shepherd Boy Standing on a Grass Hill
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Franz von Lenbach Fine Art Print, Portrait of a Lady with Creole Earrings and a Fur Collar
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Back, Fine Art Print, by André Derain
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Camille Pissarro Print, London, St. Paul’s Cathedral (1890)
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Camille Pissarro Print, The Hillsides of Thierceville, Haystacks, Shepherd and Flock (1897)
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Camille Pissarro Print, The Hillsides of Gisors, Gray Weather (1885)
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Camille Pissarro Print, The Chou quarries, Pontoise (1882)
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Camille Pissarro Print, The Village through the Trees (circa 1869)
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Camille Pissarro Print, The Pont-Neuf, snow and fog effect (1902)
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Utagawa Kuniyoshi, Japanese Fine Art Print, Genpei kassen- Settsu Banshu
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Camille Pissarro Print, The Pont-Neuf, rainy afternoon (1901)
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Camille Pissarro Print, The Royal Bridge and the Pavillon de Flore (1903)
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Camille Pissarro Print, The Harvest (1880)
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Camille Pissarro Print, Banks of the Epte at Éragny
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Camille Pissarro Print, The Egg Market (1884)
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Camille Pissarro Print, The Louvre, Morning, Spring (1902)
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Camille Pissarro Print, Le Louvre (1902)
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Camille Pissarro Print, Le Jardin Des Tuileries Et Le Pavillon De Flore, Matin, Printemps (1900)
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Camille Pissarro Print, Le Jardin d’Octave Mirbeau, la terrasse, Les Damps (1892)
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Franz von Lenbach, a towering figure in 19th-century German portraiture, was an artist whose deep understanding of light, texture, and human character made him one of the most celebrated portrait painters of his time. Born in 1836 in the Bavarian town of Schrobenhausen, Lenbach initially studied at the Academy of Fine Arts in Munich. His early works revealed a gifted draughtsman, but it wasn’t until he ventured to Italy that his art truly matured. Immersing himself in the classical traditions of the Old Masters, he drew inspiration from Renaissance painting and the works of Titian, Rembrandt, and Van Dyck. Lenbach’s most renowned contribution to the art world was his ability to capture the essence of his subjects. His portraits were not just representations of physical likeness but windows into the psyche. Whether painting political figures, royalty, or intellectuals, Lenbach delved deeply into the internal lives of his sitters. His famous portrait of the composer Richard Wagner, for example, transcends the boundaries of simple likeness, portraying the composer as a man of intense vision and intellectual depth. Lenbach’s work was equally at home in the opulent palaces of Europe as in the salons of artistic and intellectual society. Though he was heavily associated with Munich, Lenbach had a broader European reach, often traveling to paint the elite across Europe, from Italy to Russia. He became an intimate of many influential people of his time, establishing friendships with royalty, writers, and philosophers, all of whom sought him out for his uncanny ability to immortalize them with a rare combination of respect and insight. Lenbach’s studio was known as a hub for artists, and his influence stretched beyond the canvas as he shaped the taste of a generation. However, Lenbach was not without his critics. His portraits were occasionally deemed overly flattering or too idealized, lacking the critical bite of some of his contemporaries. Yet, his ability to elevate the human form, to create portraits that not only captured a face but an entire worldview, ensured his lasting place in art history. Today, his work remains a testament to the grandeur of 19th-century European portraiture, marked by a profound reverence for the human condition.