Thomas Cole, Old Masters Fine Art Print, Destruction
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Thomas Cole, Old Masters Fine Art Print, Destruction
Thomas Cole (February 1, 1801 – February 11, 1848) was an English-born American artist known for his landscape and history paintings. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century.
The Course of Empire is a five-part series of paintings created by Thomas Cole in the years 1833–36. It is notable in part for reflecting popular American sentiments of the times, when many saw pastoralism as the ideal phase of human civilization, fearing that empire would lead to gluttony and inevitable decay.
The fourth painting, Destruction, has almost the same perspective as the third, though the artist has stepped back a bit to allow a wider scene of the action, and moved almost to the center of the river. The action is the sack and destruction of the city, in the course of a tempest seen in the distance. It seems that a fleet of enemy warriors has overthrown the city's defenses, sailed up the river, and is busily firing the city and killing and raping its inhabitants. The bridge across which the triumphal procession had crossed is broken; a makeshift crossing strains under the weight of soldiers and refugees. Columns are broken, fire breaks from the upper floors of a palace on the river bank. In the foreground a statue of some venerable hero (posed like the Borghese Warrior) stands headless, still striding forward into the uncertain future.
8x12 inches
12x18 inches
16x24 inches
20x30 inches
24x36 inches
And as a stretched canvas panel (heavy fine art canvas stretched over 1.5 inch deep edge solid wood frame)
Canvas panel sizes:
8x12 inches
16x24 inches
20x30 inches
All prints are made using archival art stocks and UV pigment inks to give up to 200 years life. Prints are sold unframed and unmounted.
Thomas Cole, Old Masters Fine Art Print, Destruction
All orders for unframed fine art prints and original paintings are dispatched within 2 working days of receipt of payment.
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Fine art papers are printed without any additional white border Please let us know at the time of ordering if you would like a small additional white border.
Rolled canvas options have an additional white border of approximately 2.5 inches (7cm) on all 4 sides to aid stretching.
Ready to hang canvas panels are stretched on 1.5 inch deep solid pine frames from sustainable forestry sources. The image is mirrored on all 4 sides to give an aesthetically pleasing finish.
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We have a wide range of frames in standard sizes and we also make custom size frames.
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1. select the print size you would like along with the print materials (matte paper, fine art paper).
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3. Choose from our range of frames
4. Select the same size as the print you have added to your basket. If the frame size you want is not listed please contact us
5. Choose from the mount or no-mount option
6. Add your frame choice to the basket
7. Proceed to checkout.
Why Choose GalleryThane?
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What makes our Prints and Canvas Panels so special
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Latest Giclee Printing Technology
We have invested in the latest wide format print technology to produce museum quality giclee prints utilising the highest quality pigment inks to give outstanding colour reproduction.
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We print on the finest quality fine art papers with textured, smooth and lustre finishes for prints which last a lifetime.
From aceo miniatures to 40x80 inch large format, every print has our lifetime quality guaranteee.
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Solid Wood Frames, Cotton Canvas
All of the wood for our canvas panels and frames is responsibly sourced from manages forests. Our cotton canvas is completely seedless for the highest quality reproduction possible.