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Thomas Cole, Old Masters Fine Art Print, The Voyage of Life: Manhood

  • £12.00


Gallery Quality Prints

Thomas Cole, Old Masters Fine Art Print, The Voyage of Life: Manhood

Thomas Cole, Old Masters Fine Art Print : Manhood, The Voyage of Life 1842 American Classical Art Iconic Landscape

Thomas Cole (February 1, 1801 – February 11, 1848) was an English-born American artist known for his landscape and history paintings. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century.

The Voyage of Life is a series of paintings created by Thomas Cole in 1842, representing an allegory of the four stages of human life: childhood, youth, manhood, and old age. The paintings depict a voyager who travels in a boat on a river through the mid-19th-century American wilderness. In each painting the voyager rides the boat on the River of Life accompanied by a guardian angel. The landscape, each reflecting one of the four seasons of the year, plays a major role in conveying the story. With each installment the boat's direction of travel is reversed from the previous picture. In childhood, the infant glides from a dark cave into a rich, green landscape. As a youth, the boy takes control of the boat and aims for a shining castle in the sky. In manhood, the adult relies on prayer and religious faith to sustain him through rough waters and a threatening landscape. Finally, the man becomes old and the angel guides him to heaven across the waters of eternity.

In the third painting, Manhood, the youth has grown into an adult and now faces the trials of life. The boat is damaged and the tiller is gone. The river has become a terrible rush of white water with menacing rocks, dangerous whirlpools, and surging currents. The warm sunlight of youth has been clouded over with dark and stormy skies and torrential rains. The trees have become wind-beaten, gnarled, leafless trunks. The fresh grass is gone, replaced by hard and unforgiving rock.

In the boat, the man no longer displays confidence or even control. The angel appears high in the sky, still watching over the man, who does not see the angel. Man must rely on his faith that the angel is there to help him. Cole states, "Trouble is characteristic of the period of Manhood. In childhood, there is no carking care: in youth, no despairing thought. It is only when experience has taught us the realities of the world, that we lift from our eyes the golden veil of early life; that we feel deep and abiding sorrow: and in the Picture, the gloomy, eclipse-like tone, the conflicting elements, the trees riven by tempest, are the allegory; and the Ocean, dimly seen, figures the end of life, which the Voyager is now approaching."

Within the painting Manhood there is a strong emphasis on the diagonal: in the rocks which jut up, steep and forbidding, and the river which sweeps downward, threatening to carry anything in or on it over the precipitous drop to the twisting and foaming rapids in the mid-ground. The extreme narrowness of the passage between the two rock face heightens the tension as the viewer tries to determine whether or not a small craft could navigate these tumultuous waters. In addition, evil spirits stare down from the dark clouds above.

It is only in the distant background that the viewer captures a glimpse of the horizon. This line, where the distant ocean meets the sunset colored sky, is the only horizontal line in the painting. Amidst the chaos and confusion of the wild scene in the foreground, one catches a glimpse of possible serenity. Cole has positioned this focal point just below and to the right of center. The combination of the lone horizontal and warm color in an otherwise dark and forbidding scene, beckons the viewer's eye back again and again.

The silhouette of a gnarled tree trunk opposes the diagonals of the rocks and river, forcing the eye back into the scene. Here the twisted and rotting trunk is used, as it often is in Cole's work, as a symbol for the savage (untamed) wilderness and all its dangers. The funnel-shaped cloud that appears above the tree leads the eye up into the forbidding clouds of the sky, over the top and to the left, where the downward arc of the clouds forces it back down again into the river.
Available as a fine art print  in the following sizes:
6x9 inches

8x12 inches

12x18 inches

16x24 inches

20x30 inches

24x36 inches

And as a stretched canvas panel (heavy fine art canvas stretched over 1.5 inch deep edge solid wood frame)

highest quality canvas panels

deep edge canvas prints

Canvas panel sizes:

8x12 inches

16x24 inches

20x30 inches

 

All prints are made using archival art stocks and UV pigment inks to give up to 200 years life. Prints are sold unframed and unmounted.

 

Thomas Cole, Old Masters Fine Art Print, The Voyage of Life: Manhood