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A face seen in profile

Far Away Thoughts isolates the sitter’s lowered gaze against a softly varied background. Curled hair, pale skin and the edge of coloured clothing provide most of the visible detail. The close crop offers a concentrated counterpart to the larger terrace scenes elsewhere in the collection.

Fabric against a pale stone setting

In the Days of Sappho places a seated figure in warm drapery beside a sculpted figure, with plants and distant water beyond. The patterned animal skin and smooth marble introduce contrasting surfaces. The arrangement gives the still pose a carefully articulated setting without requiring a crowded narrative.

A reclining figure and a small companion

The Quiet Pet extends the body across a cushioned seat, with pink fabric, green drapery and an animal skin beneath. A small cat sits near the lowered hand. Pale balustrades and distant sea keep the background open, allowing the curved figure and layered textiles to remain prominent.

Related artists and collections

Explore further classical settings in Lawrence Alma-Tadema and Edward Poynter. Compare figure painting in Frederic Leighton. The wider Academic collection offers other formal arrangements, while portraits and people connects these composed poses with a broader range of sitters and settings.

Read more in our guide to John William Godward.