Gustav Klimt, Portrait of Emilie Louise Flöge

$11.00

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Details
Even during Klimt's lifetime, it was widely assumed that he and Emilie Floge were lovers, yet the truth of the matter, like many things concerning fin-de-siecle sexual mores, may be considerably more complex. Emilie Floge, twelve years Klimt's junior, was the sister of his brother Ernst's wife. When, some fifteen months after his marriage, Ernst died, Gustav was appointed guardian of the couple's newborn daughter. In this capacity, he had free reign in the Floge household and became something of a surrogate uncle to young Emilie. The surviving correspondence between the two is voluminous, yet entirely platonic; their "trysts" involved such innocent activities as French lessons. Would the family have tolerated Klimt's presence in their summer home on the Attersee, as they did almost every year, had the two been clandestine lovers? And would Klimt so openly have paraded his mistress at the theater and opera, as he did Emilie? Klimt's real lovers, as is now known, were not such nice, middle-class ladies, but models and charwomen. If Emilie was the love of his life, she was a pure and sacred love, a Madonna to the whores who, figuratively and literally, occupied the dark alleys offin-de-siecle sexuality.

It is perhaps no wonder that Klimt's Portrait of Emilie Floge, painted in 1902, was the first to present its subject as a bejeweled icon, a gilded beauty whose decorative trappings constitute a metaphorical chastity belt. Directly anticipating the "gold" portraits of 1906-1907, the picture was exceedingly radical for its day, and perhaps for this reason neither Emilie nor her family liked it. The Floges declined to hang the painting, and in 1908 it was acquired by the City of Vienna. It was Emilie's fate also, in the end, to be rejected. In 1904, she and her sisters, Helene and Pauline, had opened a fashion salon, smartly outfitted by the Wiener Werkstatte, in Vienna's Casa Piccola. This entrepreneurial venture (unusual for women at the time) was necessitated by the financial decline of the once-prosperous Floge family, and by the fact that the sisters, in their thirties, were too old to be considered reasonable marital prospects. Klimt, with all his avuncular affection, would not marry Emilie, preferring to retain his freewheeling bachelor's existence.

Despite Klimt's notorious philandering, Emilie remained true to him not only throughout his life, but also thereafter; she never married. Even after the Nazi Anschluss in 1938 forced the closing of the fashion salon, she maintained a "Klimt room" on its premises, in which stood the artist's easel and his massive cupboard, housing his collection of ornamental gowns, his caftanlike painter's smocks, and several hundred drawings. The doors of that room were always kept bolted.
Available as a fine art print and as a stretched canvas panel (heavy fine art canvas stretched over 1.5 inch deep edge solid wood frame). 

highest quality canvas panels

deep edge canvas prints

  

All prints are made using archival art stocks and UV pigment inks to give up to 200 years life. Prints are sold unframed and unmounted.

 

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All orders for unframed fine art prints and original paintings are dispatched within 2 working days of receipt of payment.

Orders for custom framed prints are dispatched within 4 working days.

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Size and Printed Materials

Fine art papers are printed without any additional white border Please let us know at the time of ordering if you would like a small additional white border.

Rolled canvas options have an additional white border of approximately 2.5 inches (7cm) on all 4 sides to aid stretching.

Ready to hang canvas panels are stretched on 1.5 inch deep solid pine frames from sustainable forestry sources. The image is mirrored on all 4 sides to give an aesthetically pleasing finish.

Gift Wrap Option

Why not have us gift wrap your order and attach a personalised message to the recipient. Available for all orders. Each order is hand wrapped in high quality gift wrap with meatllic ribbon and bow. Your personalised message is printed on a card which is included with your order.

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  • Printed and framed in-house
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What makes our Prints and Canvas Panels so special

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We have invested in the latest wide format print technology to produce museum quality giclee prints utilising the highest quality pigment inks to give outstanding colour reproduction.

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We print on the finest quality fine art papers with textured, smooth and lustre finishes for prints which last a lifetime.

From aceo miniatures to 40x80 inch large format, every print has our lifetime quality guaranteee.

cotton canvas stretched over solid wood frame

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All of the wood for our canvas panels and frames is responsibly sourced from manages forests. Our cotton canvas is completely seedless for the highest quality reproduction possible.

Have Your Gift Wrapped

Giftwrapping available for all orders.

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WHAT OUR CUSTOMERS SAY

This was a present for my wife and she loves it. The quality is very good. Thanks for your excellent service.

Fantastic packaging and a stunning print. Thank you!

Great quality and a good idea to include a 'free gift' mini-pic to show what the other finishes are like.

Really excellent print quality! I have just had my print framed and it looks great thank you

This arrived quickly and is great quality, thank you! :)

My art print arrived quickly and in excellent condition! Very high quality print! Thank you!!

love my print! Very fast professional service Thank you very much

I ordered the canvas panel as a gift for my sister and she was delighted the canvas is really good quality and perfectly stretched. The finish on the back was really profesionally done too

Amazing print well printed and a reasonable price

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