Hilma af Klint Prints – Abstract Forms & Symbolic Series
Hilma af Klint prints bring together spirals, circles, divided fields and changing symbolic forms. Works from The Ten Largest, The Swan and the Altarpieces offer distinct colour palettes and arrangements within the collection. Browse unframed prints, framed prints and canvas panels, or explore The Ten Largest and our wider abstract prints.
The Ten Largest: rhythm and scale
The Ten Largest, No. 3, Youth fills the surface with circles, curling lines and flower-like forms over an orange ground. Other works in the series change their colours and the balance of large and small shapes. Browse the dedicated Ten Largest collection to compare these related compositions.
The Swan: contrast and transformation
The Swan, No. 1 brings a white and a black bird together across a divided background. The wider Swan selection moves between recognisable forms and geometric arrangements. Looking across several designs makes the changing use of symmetry, contrast and direction as important as any one symbol.
The Altarpieces and geometric structure
Altarpiece No. 1 sets a coloured triangular form below a large circular field. Its upward movement differs from the looping lines of Youth, showing another way to organise colour and space. Further shape-led work can be explored in geometric abstract prints.
Related artists and collections
For other approaches to abstraction, browse Wassily Kandinsky, Piet Mondrian and Paul Klee. These comparisons offer different uses of line, rhythm and colour within the broader abstract art collection.
Read more in our guide to Hilma af Klint.
