Henri Gervex Prints

Henri Gervex Prints

Henri Gervex (1852-1929) was a French academic painter known for his skillful blend of traditional techniques and modern subjects. While creating conventional historical works, he gained fame for his provocative contemporary scenes and portraits of Parisian high society. His painting "Rolla" caused scandal in 1878 due to its suggestive depiction of a prostitute.

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Henri Gervex Print, A Session of the Painting Jury
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Henri Gervex Print, An evening at Pré-Catelan (1909)
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Henri Gervex Print, Armenonville, evening of the Grand Prix, (1905)
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Henri Gervex Print, Armenonville, the evening of the Grand Prix (1905)
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Henri Gervex Print, Autopsy at the Hotel-Dieu (1876)
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Henri Gervex Print, Ballerinas
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Henri Gervex Print, Behind the curtain at the ballet
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Henri Gervex Print, Café Scene In Paris (1877)
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Henri Gervex Print, Le Souper galant
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Henri Gervex Print, Madame Valtesse de la Bigne
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Henri Gervex Print, Nana
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Henri Gervex Print, Nude with Psyche (1910)
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Henri Gervex Print, Parisina at her toilet
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Henri Gervex Print, Rolla (1878)
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Henri Gervex Print, Rolla (Study)
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Henri Gervex Print, The Ball (1890)
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Henri Gervex Print, The Flower Market
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Henri Gervex Print, The Opera Ball (1886)
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Henri Gervex Print, Yachting in the Archipelago (1898)
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Henri Gervex Print, Young Lady at her Toilette
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Edvard Munch Fine Art Print, Coastal Landscape (1904)
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Edvard Munch Fine Art Print, Kragerø In Spring (1929)
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Edvard Munch Fine Art Print, Returning Workers (1914)
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Edvard Munch Fine Art Print, Field in Snow (1907)
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Gustave Moreau Print, The Martyred Saint Sebastian (1869)
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Gustave Moreau Print, The Infant Moses (c. 1876)
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Gustave Moreau Print, The Chimera (1867)
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Gustave Moreau Print, The Apparition (1876)
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Gustave Moreau Print, Poet And Satyrs (C. 1890)
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Gustave Moreau Print, Pietà (death of Christ)
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Gustave Moreau Print, Perseus and Andromeda
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Gustave Moreau Print, The Dream of a Mogul Inhabitant (c 1881)
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Gustave Moreau Fine Art Print, The Death of Sappho (1872)
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Gustave Moreau Fine Art Print, The Bride of the Night
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Gustave Moreau Print, Hercules and The Lernaean Hydra (1875)
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Gustave Moreau Print, Diomedes Devoured by Horses (1866)
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Gustave Moreau Print, Diomedes Devoured by His Horses (c1865)
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Gustave Moreau Print, Dejanira (Autumn) (1872)
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Gustave Moreau Fine Art Print, Arion, Greek Poet
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Gustave Moreau Print, The Young Man And Death (1856)
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Henri Gervex was a French painter and lithographer born in 1852, who gained recognition for his work in both historical and genre painting. His early education was rooted in classical training, first at the École des beaux-arts in Paris under the guidance of renowned instructors such as Alexandre Cabanel. Gervex's career was shaped by his affinity for contemporary subjects, blending academic technique with a sensitivity to modern life. He was also associated with the vibrant art world of the late 19th century, moving within the circles of the Impressionists and other avant-garde artists of the period. Gervex’s most famous painting, Rolla (1878), caused a scandal when it was exhibited at the Salon of the same year. The painting, which depicted a woman in a passionate embrace, was viewed as daring and controversial due to its portrayal of sensuality and emotional intimacy. Although it caused an uproar, Rolla helped establish Gervex’s reputation as a bold and innovative artist. His works frequently explored themes of love, seduction, and the human form, often featuring female nudes, which were painted with an extraordinary attention to detail and a deft understanding of light and shadow. Gervex’s ability to capture the emotional depth of his subjects, especially women, was one of his defining features. Despite the initial controversy surrounding some of his works, Gervex eventually achieved recognition for his refined technical ability and his contributions to French academic art. His works were regularly exhibited at the Salon, and he was awarded the prestigious Légion d'Honneur in recognition of his artistic achievements. However, he was not solely focused on genre and figure painting; he also created historical pieces, such as his 1889 painting The Bath of Diana, which combined classical themes with a modern sensibility. Throughout his career, Gervex was known for his fluid brushwork, which, although rooted in academic traditions, showed a particular sensitivity to light and color. His ability to combine precision with emotive expression allowed him to maintain a strong presence in the art world, despite the changing trends of the late 19th and early 20th centuries. Gervex continued to work and exhibit his paintings until his death in 1929.