Ernst Ludwig Kirchner Fine Art prints

Ernst Ludwig Kirchner Fine Art prints

Ernst Ludwig Kirchner, a leading German Expressionist, revolutionized modern art with his emotive depictions of urban life and nature. Despite his prolific creativity, psychological struggles and persecution by the Nazi regime marked his career. His evocative works, vibrant and raw, remain enduring testaments to his artistic brilliance and humanity.

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Two Nudes (obverse) (1907) by Ernst Ludwig Kirchner
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Vier akte unter bäumen (four nudes under trees) by Ernst Ludwig Kirchner
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Nude Woman at window (1922 – 1923) by Ernst Ludwig Kirchner
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Variétéparade (Variety Show) (1908) by Ernst Ludwig Kirchner
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Ernst Ludwig Kirchner Expressionism Fine Art Print, Girl in a Flowering Meadow
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Ernst Ludwig Kirchner Expressionism Fine Art Print, Girls bathing in the lake, Moritzburg
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Ernst Ludwig Kirchner Expressionism Fine Art Print, Bathers in the Meadow
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Nude with Hat (1920) by Ernst Ludwig Kirchner
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Nude Figure (reverse) (1907) by Ernst Ludwig Kirchner
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The Visit – Couple and Newcomer (1922) by Ernst Ludwig Kirchner
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Längmatte at moonset (1919) by Ernst Ludwig Kirchner
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Galgenberg In Jena (1915) by Ernst Ludwig Kirchner
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The White Cow (1920) by Ernst Ludwig Kirchner
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The Klosters Mountains (1923) by Ernst Ludwig Kirchner
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Woman in a Green Jacket (1913) by Ernst Ludwig Kirchner
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Vaudeville Theater (English Dancing Couple) (1909) by Ernst Ludwig Kirchner
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Variety Dancer (1910) by Ernst Ludwig Kirchner
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Two Women by a Sink; The Sisters (1913) by Ernst Ludwig Kirchner
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Two Nudes in a Room (1914) by Ernst Ludwig Kirchner
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Two Acrobats (1932) by Ernst Ludwig Kirchner
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Sunday in the Alps (1922) by Ernst Ludwig Kirchner
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Store in the rain (1927) by Ernst Ludwig Kirchner
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Quarry near Wildboden (1923) by Ernst Ludwig Kirchner
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Quincentennial celebrations (1926) by Ernst Ludwig Kirchner
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Edvard Munch Fine Art Print, Coastal Landscape (1904)
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Edvard Munch Fine Art Print, Kragerø In Spring (1929)
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Edvard Munch Fine Art Print, Returning Workers (1914)
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Edvard Munch Fine Art Print, Field in Snow (1907)
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Gustave Moreau Print, The Martyred Saint Sebastian (1869)
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Gustave Moreau Print, The Infant Moses (c. 1876)
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Gustave Moreau Print, The Chimera (1867)
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Gustave Moreau Print, The Apparition (1876)
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Gustave Moreau Print, Poet And Satyrs (C. 1890)
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Gustave Moreau Print, Pietà (death of Christ)
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Gustave Moreau Print, Perseus and Andromeda
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Gustave Moreau Print, The Dream of a Mogul Inhabitant (c 1881)
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Gustave Moreau Fine Art Print, The Death of Sappho (1872)
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Gustave Moreau Fine Art Print, The Bride of the Night
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Gustave Moreau Print, Hercules and The Lernaean Hydra (1875)
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Gustave Moreau Print, Diomedes Devoured by Horses (1866)
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Gustave Moreau Print, Diomedes Devoured by His Horses (c1865)
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Gustave Moreau Print, Dejanira (Autumn) (1872)
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Gustave Moreau Fine Art Print, Arion, Greek Poet
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Gustave Moreau Print, The Young Man And Death (1856)
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Ernst Ludwig Kirchner, a founding member of the Die Brücke (The Bridge) movement, was a transformative force in the world of German Expressionism. Born in 1880 in Aschaffenburg, Kirchner was drawn to the vibrant energy of cities and the raw intensity of the human experience. His work rejected academic conventions, embracing bold, angular forms and vivid colors that captured the turbulence of the early 20th century. With a restless spirit and an unrelenting desire to forge new artistic paths, Kirchner sought to bridge the emotional immediacy of art with the modern world’s complexity. Kirchner’s art pulsated with life. His depictions of urban Berlin are electric, brimming with elongated figures and bustling streets that exude both dynamism and alienation. Women, in particular, play a central role in his work, often portrayed as enigmatic and provocative figures. His distinctive style, marked by thick black outlines and saturated hues, communicates a sense of psychological intensity, making the mundane extraordinary. Kirchner’s landscapes are no less compelling, often capturing the solitude and raw beauty of the Alps with a heightened emotional resonance. However, Kirchner’s journey was fraught with challenges. The outbreak of World War I profoundly affected him; he enlisted but was discharged due to a nervous breakdown. This period of psychological turmoil shaped his later work, which became darker and more introspective. Despite this, he remained prolific, experimenting with woodcuts, lithographs, and sculpture, mediums that mirrored his quest for direct and unfiltered expression. In 1937, the Nazi regime labeled Kirchner’s work as "degenerate," removing hundreds of his pieces from museums and subjecting him to public denouncement. This devastating rejection deepened his sense of alienation. Isolated in Davos, Switzerland, where he had moved in search of solace, Kirchner continued to create but was increasingly burdened by his struggles with mental health. In 1938, he tragically ended his life, leaving behind a legacy that resonates with vitality and vulnerability. Today, Kirchner is celebrated as a revolutionary figure whose art captures the fractured, vibrant spirit of his time with unparalleled honesty.