Cornelis van Haarlem Prints - Dutch Mannerism

Cornelis van Haarlem Prints

Cornelis van Haarlem (1562-1638) was a Dutch Mannerist painter who helped establish Haarlem as a major artistic center during the Dutch Golden Age. Known for his large-scale biblical and mythological scenes featuring dynamic nude figures, he co-founded the influential Haarlem Academy. His work evolved from Mannerist to naturalistic styles, bridging important periods in Dutch art.

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The Massacre of the Innocents (1591) by Cornelis van Haarlem
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Israelites Crossing the Red Sea by Cornelis van Haarlem
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Two Male Nudes (1590) by Cornelis van Haarlem
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The Massacre of the Innocents (1590) by Cornelis van Haarlem
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St. Sebastian (1591) by Cornelis van Haarlem
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Feast of the prodigal son by Cornelis van Haarlem
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Two Followers of Cadmus devoured by a Dragon (1588) by Cornelis van Haarlem
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The Fall of the Titans (1588) by Cornelis van Haarlem
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The Fall of Man by Cornelis van Haarlem
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The Fall of Ixion (1588) by Cornelis van Haarlem
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The Depravity of Mankind before the Flood by Cornelis van Haarlem
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The Choice between the Young and Old by Cornelis van Haarlem
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Diana as Goddess of the Hunt (1607) by Cornelis van Haarlem
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A monk and a nun by Cornelis van Haarlem
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Gustave Moreau Print, The Martyred Saint Sebastian (1869)
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Gustave Moreau Print, Diomedes Devoured by His Horses (c1865)
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Cornelis Corneliszoon van Haarlem was a pivotal figure in Dutch Mannerist painting during the late 16th and early 17th centuries. Born in Haarlem in 1562, he became one of the city's most influential artists, helping to establish its reputation as a major artistic center in the Dutch Golden Age. After his father fled Haarlem during the Spanish siege of 1572-1573, the young Cornelis studied under Pieter Pietersz in Amsterdam and later traveled to France and Antwerp to further develop his artistic skills. Van Haarlem's early work was characterized by its strong Mannerist tendencies, featuring elongated figures, complex poses, and dramatic compositions. He was particularly known for his large-scale paintings of biblical and mythological scenes, which often incorporated nude figures in dynamic arrangements. His masterpiece "The Fall of the Titans" (1588-1590) exemplifies this style, showing writhing figures tumbling through space in a tour de force of anatomical knowledge and compositional skill. The artist's work evolved significantly over his career. While his early paintings showed the strong influence of international Mannerism, his later works adopted a more naturalistic style that aligned with changing Dutch tastes. This transition reflected broader cultural shifts in the Netherlands, as the country moved away from Catholic imagery toward more secular subjects following the Protestant Reformation. Beyond his paintings, Cornelis van Haarlem played a crucial role in the artistic community of Haarlem. Along with Karel van Mander and Hendrick Goltzius, he formed the "Haarlem Academy," an informal artistic circle that promoted Mannerist ideals and classical subjects. This group was instrumental in developing what art historians later termed the "Haarlem Mannerists," who significantly influenced Dutch art around 1600. Van Haarlem served as city painter of Haarlem and received numerous prestigious commissions from civic and religious institutions. His work for the city militia companies and his altarpieces for Haarlem's churches demonstrated his versatility as an artist. He died in 1638, leaving behind a substantial body of work that included history paintings, portraits, and genre scenes. Today, Cornelis van Haarlem's legacy lies in his role as a bridge between the international Mannerist style and the more naturalistic painting that would come to define Dutch art in the 17th century. His technical virtuosity, particularly in depicting the human figure, and his influence on subsequent generations of Dutch artists secure his place as a significant figure in Northern European art history.