Arthur Hacker paintings

Arthur Hacker Prints

Arthur Hacker was a versatile Victorian-Edwardian painter who excelled in portraiture, religious scenes, and orientalist works. Trained at the Royal Academy and in Paris, he became a full Royal Academician in 1910. His work combined academic technique with modern themes, notably in "The Annunciation" (1892), while he also influenced future artists through his teaching.

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The deck of the S.S. Veronese, Arthur Hacker Fine Art Print
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Percival with the Grail Cup, Arthur Hacker Fine Art Print
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Camille Pissarro Print, London, St. Paul’s Cathedral (1890)
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Camille Pissarro Print, The Hillsides of Thierceville, Haystacks, Shepherd and Flock (1897)
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Camille Pissarro Print, The Hillsides of Gisors, Gray Weather (1885)
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Camille Pissarro Print, The Chou quarries, Pontoise (1882)
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Camille Pissarro Print, The Village through the Trees (circa 1869)
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Camille Pissarro Print, The Pont-Neuf, snow and fog effect (1902)
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Utagawa Kuniyoshi, Japanese Fine Art Print, Genpei kassen- Settsu Banshu
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Camille Pissarro Print, The Pont-Neuf, rainy afternoon (1901)
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Camille Pissarro Print, The Royal Bridge and the Pavillon de Flore (1903)
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Camille Pissarro Print, The Harvest (1880)
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Camille Pissarro Print, Banks of the Epte at Éragny
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Camille Pissarro Print, The Egg Market (1884)
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Camille Pissarro Print, The Louvre, Morning, Spring (1902)
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Camille Pissarro Print, Le Louvre (1902)
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Camille Pissarro Print, Le Jardin Des Tuileries Et Le Pavillon De Flore, Matin, Printemps (1900)
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Camille Pissarro Print, Le Jardin d’Octave Mirbeau, la terrasse, Les Damps (1892)
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Arthur Hacker (1858-1919) was a distinguished Victorian and Edwardian painter known for his versatility and technical excellence across multiple genres. Born in London to a line engraver father, he received his early artistic education at the Royal Academy Schools and later continued his studies in Paris at the Atelier Bonnat, where he refined his academic style under the tutelage of Léon Bonnat. Hacker's work spanned various subjects, from classical and biblical scenes to portraits and contemporary life. His early career was marked by orientalist paintings inspired by his travels to Spain, Morocco, and Egypt. These works, characterized by their rich colors and attention to architectural detail, earned him recognition among his peers and helped establish his reputation in London's artistic circles. One of Hacker's most celebrated works is "The Annunciation" (1892), which demonstrates his ability to blend religious themes with contemporary social commentary. The painting, showing the angel Gabriel appearing to a working-class Mary in a London street, exemplifies his skill in combining traditional religious iconography with modern urban settings. This approach was both innovative and controversial for its time, challenging conventional representations of biblical scenes. As a portraitist, Hacker demonstrated remarkable skill in capturing both the physical likeness and psychological depth of his subjects. His portraits were sought after by London's elite, and he completed numerous commissions for prominent figures of the day. His technique showed influences from both his academic training and the emerging aesthetic movements of the late 19th century. Hacker was elected an Associate of the Royal Academy in 1894 and became a full Royal Academician in 1910, reflecting his significant contribution to British art. Throughout his career, he exhibited regularly at the Royal Academy, the Grosvenor Gallery, and other prestigious venues. His work was characterized by its sophisticated draftsmanship, subtle color harmonies, and psychological insight. In addition to his painting, Hacker was an influential teacher at the Royal Academy Schools, where he helped shape the next generation of British artists. His teaching emphasized strong technical foundations while encouraging students to develop their individual styles. Despite changes in artistic taste during the early 20th century, Hacker maintained his commitment to academic principles while incorporating elements of modern sensibility into his work.