Prints

Alfred de Bréanski Prints

Alfred de Bréanski, a celebrated British landscape artist, is renowned for his luminous depictions of the Scottish Highlands and English countryside. His romanticized, atmospheric works captured nature’s beauty with stunning detail and emotional depth, offering viewers an idealized escape from modernity. His art remains timeless, celebrating nature's tranquility and grandeur.

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Alfred de Bréanski Print, Windsor castle from the Thames
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Alfred de Bréanski Print, Windsor Castle at sunset (1897)
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Alfred de Bréanski Print, When The Trout Rise
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Alfred de Bréanski Print, The Valley Of Borrowdale
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Alfred de Bréanski Print, The Vale of Llangollen (1897)
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Alfred de Bréanski Print, The Vale of Ben-Lawers
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Alfred de Bréanski Print, The Tay near Dunkeld, Scotland
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Alfred de Bréanski Print, The peaks of the Western Highlands
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Alfred de Bréanski Print, The Na-Garr Valley
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Alfred de Bréanski Print, The head of Loch Awe, Scotland
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Alfred de Bréanski Print, The Head of a Scottish Loch
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Alfred de Bréanski Print, Evening Glow, Vale Of Eagle, Loch Lomond
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Alfred de Bréanski Print, The Evening Boat to Greenock
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Alfred de Bréanski Print, The Dee Near Balmoral
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Alfred de Bréanski Print, The Dee at Balmoral
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Alfred de Bréanski Print, Loch Lomond
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Alfred de Bréanski Print, Loch Lomond and Loch Katrine
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Alfred de Bréanski Print, Loch Katrine
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Alfred de Bréanski Print, In The Highlands
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Alfred de Bréanski Print, In North Wales (circa 1895)
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Alfred de Bréanski Print, Highland landscape
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Alfred de Bréanski Print, Devoke Water, Cumberland (1886)
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Alfred de Bréanski Print, Church Pool at Betws-y-Coed
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Alfred de Bréanski Print, Ben-Ab, Scotland
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Egon Schiele Print, Portrait of Victor Ritter von Bauer (1918)
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Egon Schiele Print, Stylized Flowers in Front of Decorative Background
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Egon Schiele Print, Still Life of a Moneyplant Branch in Blue Vase (1906)
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Egon Schiele Print, Stadtende bzw. Porträtskizzen Heinrich Benesch
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Egon Schiele Print, Sunflowers I (1911)
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Egon Schiele Print, Small Tree in Late Autumn (1911)
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Egon Schiele Print, Portrait of Albert Paris von Gütersloh (1918)
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Egon Schiele Print, Exhibition Poster, Galerie Arnot (1915)
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Egon Schiele Print, Mödling II (1918)
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Egon Schiele Print, Levitation (The Blind II) (1915)
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Egon Schiele Print, Young Mother (1914)
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Egon Schiele Print, House with Shingle Roof (Old House II) (1915)
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Egon Schiele Print, Crouching Woman with Green Headscarf (1914)
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Egon Schiele Print, House Wall on the River (1915)
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Egon Schiele Print, Dr. Hugo Koller (Psychiatrist)(1918)
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Egon Schiele Print, Dead City III (City on the Blue River III) (1911)
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Egon Schiele Print, Crescent of Houses II (1915)
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Egon Schiele Print, Apartment of Leopold and Marie Czihaczek (1907)
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Egon Schiele Print, The Lyricist (1911)
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Egon Schiele Print, The Family
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Alfred de Bréanski, a prominent British landscape painter of the late 19th and early 20th centuries, captured the serene beauty of the British Isles with remarkable precision and warmth. Renowned for his evocative portrayals of the Scottish Highlands and the English countryside, his works celebrate nature's unspoiled grandeur. Born in 1852 in London into a family of artists, de Bréanski quickly distinguished himself with his mastery of light and atmosphere. His ability to depict the ethereal interplay between sunlight and mist earned him widespread acclaim. Often working en plein air, he sought to capture fleeting moments when nature seemed to breathe life into the landscapes he adored. De Bréanski's paintings are a testament to his deep appreciation for nature's majesty. He frequently depicted rivers winding through verdant valleys, distant mountains bathed in golden hues, and skies that ranged from tranquil to dramatic. His works, such as Loch Katrine and Evening Glow on Ben Nevis, reflect a meticulous attention to detail and an emotional resonance that transport viewers to the heart of the scene. De Bréanski’s palette, characterized by warm tones and subtle gradations, evokes a sense of timeless tranquility. A defining aspect of de Bréanski's artistry was his romanticized vision of the Highlands. While his landscapes celebrated nature’s beauty, they often excluded signs of human activity, offering an idealized view of a world untouched by modernity. This nostalgic perspective resonated deeply with Victorian and Edwardian audiences who cherished escapism amid rapid industrialization. His work was celebrated in exhibitions at prestigious institutions like the Royal Academy, cementing his reputation as one of the era’s leading landscape painters. Though primarily associated with the Highlands, de Bréanski also painted views of Wales and England, showcasing his versatility. His artistry was not only a technical triumph but also a reflection of a deep spiritual connection to the natural world. Today, his works continue to captivate collectors and art enthusiasts, offering glimpses of a pastoral idyll that feels increasingly rare. Alfred de Bréanski’s legacy endures as a poignant reminder of the sublime beauty of the British landscape, skillfully rendered with both precision and passion.