Reginald Marsh, Merry-Go-Round: A Double-Sided Work

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Reginald Marsh, Merry-Go-Round: A Double-Sided Work

Reginald Marsh was one of the few American painters who truly embraced the personality and energy of New York City. His art, which almost entirely depicts New York, is a lively social and historical record of the city in the 1930s, 1940s, and 1950s.

Even though there were many of interesting topics to research in New York, Marsh chose to paint Coney Island. In contrast to other New York sites that were often painted by painters from different schools, Coney Island had not yet been explored when Marsh started painting it. Early in his career, Marsh fell in love with Coney Island and was the first painter to fully take advantage of its flamboyant wonders, which included the surging holiday crowds, the crazy humour of Luna Park, the freaks and macabre images, the ceaseless movement of merry-go-rounds and revolving bowls, the breath-taking flight of swinging chairs, the confusion of signs, and the babel of signs.

Marsh's monumentalization and glorifying of the Coney Island entertainment and wild crowds is exemplified by Merry-Go-Round. "Marsh's crowds were not made up of faceless robots; they were individuals sharply characterised, with a gift for catching the traits that made each one unique," the artist writes. The ugliness of a great portion of the human race, the grotesqueness of middle-aged fat, the slick coarseness of young males, and the vulgar lushness of the ladies were all exploited by him. His eye was not gentle. His people did exist, and one simply had to see the typical tube throng to understand how true to reality, albeit with room for creative interpretation, his vision was."

Available as a fine art print and as a stretched canvas panel (heavy fine art canvas stretched over 1.5 inch deep edge solid wood frame).

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All prints are made using archival art stocks and UV pigment inks to give up to 200 years life. Prints are sold unframed and unmounted.

 

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Size and Printed Materials

Fine art papers are printed without any additional white border Please let us know at the time of ordering if you would like a small additional white border.

Rolled canvas options have an additional white border of approximately 2.5 inches (7cm) on all 4 sides to aid stretching.

Ready to hang canvas panels are stretched on 1.5 inch deep solid pine frames from sustainable forestry sources. The image is mirrored on all 4 sides to give an aesthetically pleasing finish.

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