Christ in the Sepulchre, Guarded by Angels, William Blake

This watercolour depicts the body of Jesus Christ, which was placed in a cave (his tomb or sepulchre) following his death by crucifixion. When Mary Magdalene visits, she is startled to find two angels sitting at the head and feet 'where the body of Jesus had lain'. Jesus then appears and speaks to her. For his imagery Blake sought out a description in the Book of Exodus in the Old Testament. When the prophet Moses is alone on Mount Sinai, God tells him to instruct the Israelites to make a 'mercy seat' flanked by cherubims (angels) all made of gold. The description of the angels in Exodus is the source for Blake's design here. This is an unusual and striking visual interpretation of the biblical text. The strange light and colours used here convey a sense of the mystery of the scene.

William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age. What he called his prophetic works were said by 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language". His visual artistry led 21st-century critic Jonathan Jones to proclaim him "far and away the greatest artist Britain has ever produced". In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons. While he lived in London his entire life, except for three years spent in Felpham, he produced a diverse and symbolically rich œuvre, which embraced the imagination as "the body of God" or "human existence itself".

Although Blake was considered mad by contemporaries for his idiosyncratic views, he is held in high regard by later critics for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work. His paintings and poetry have been characterised as part of the Romantic movement and as "Pre-Romantic". A committed Christian who was hostile to the Church of England (indeed, to almost all forms of organised religion), Blake was influenced by the ideals and ambitions of the French and American Revolutions. Though later he rejected many of these political beliefs, he maintained an amiable relationship with the political activist Thomas Paine; he was also influenced by thinkers such as Emanuel Swedenborg. Despite these known influences, the singularity of Blake's work makes him difficult to classify. The 19th-century scholar William Michael Rossetti characterised him as a "glorious luminary", and "a man not forestalled by predecessors, nor to be classed with contemporaries, nor to be replaced by known or readily surmisable successors".

Available as a fine art print and as a stretched canvas panel (heavy fine art canvas stretched over 1.5 inch deep edge solid wood frame)

 

All prints are made using archival art stocks and UV pigment inks to give up to 200 years life. Prints are sold unframed and unmounted.