Oskar Schlemmer Prints – Geometric Figures & Interior Space
Oskar Schlemmer prints give the human body a clear, almost constructed volume. Rounded heads and narrow torsos repeat within stairways and rooms, where doorframes and floor patterns establish their positions. Explore these relationships alongside figurative prints, geometric art and architecture subjects, following the balance between bodily shape and surrounding space.
Repeated bodies at different heights
Women on the Stairway stacks the figures within the tall image, their heads turning in varied directions. Pale and dark clothing separates some forms while linking others to the enclosing architecture. The successive levels suggest upward movement, but the simplified faces and bodies keep the arrangement strongly patterned.
Heads aligned through a receding room
Interior with Four Figures places the nearest back-facing figure low in the foreground, with further bodies standing beyond. A chequered passage and dark doorframe help divide the depth. The repeated rounded heads provide measured points through the room, balancing human presence against the clearer architectural lines.
A warm profile within a dark interior
Before the Mirror reduces the seated figure to a polished-looking head, neck and curved shoulder forms. A narrow mirror frame rises beside the face. Orange and brown highlights model the body’s volumes, giving the close view a more concentrated light than the wider group scenes.
Related artists and collections
Compare geometric bodies in Fernand Léger, simplified figures in Amedeo Modigliani and constructed colour in Lyubov Popova. Further figure painting follows the varied poses, while geometric abstracts extends the relationship between repeated volume, line and measured space.
Read more in our guide to Art Deco, Art Nouveau and Bauhaus.