John Constable Prints

Explore John Constable prints of rivers, farmland, parkland and historic buildings, including The Hay Wain, Stratford Mill and Wivenhoe Park. Constable’s landscapes bring together cloud-filled skies, leafy riverbanks and the everyday work of the English countryside.

Browse fine art prints, framed prints and canvas panels featuring one of Britain’s best-known landscape painters.

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John Constable Fine Art Print : The Hay Wain (1821)
From $11.00
John Constable Fine Art Print : Stratford Mill
From $11.00
John Constable Fine Art Print, Salisbury Cathedral
From $45.00
West Lodge, East Bergholt, with a hatchment – John Constable Print
From $58.00
Cloud Study, possibly over Harnham Ridge – John Constable Print
From $74.00
Study for ‘The Leaping Horse’ – John Constable Print
From $66.00
Landscape – John Constable Print
From $74.00
Portrait of William Travis – John Constable Print
From $58.00
Castle Crag, Borrowdale (1806) – John Constable Print
From $58.00
Dedham Vale, Suffolk, from near East Bergholt – John Constable Print
From $66.00
A View on the Banks of the River Stour – John Constable Print
From $58.00
Trees in a Meadow – John Constable Print
From $58.00
The Lane from East Bergholt to Flatford (1812) – John Constable Print
From $74.00
Suffolk Landscape – John Constable Print
From $66.00
Stoke Poges Church (1834) – John Constable Print
From $58.00
East Bergholt Church, Looking Out the South Archway of the Ruined Tower (1806) – John Constable Print
From $58.00
Brighton Beach Looking West – John Constable Print
From $66.00
The Grove, or the Admiral’s House in Hampstead (between 1821 and 1822) – John Constable Print
From $58.00
Hampstead Heath, with Pond and Bathers (1821) – John Constable Print
From $58.00
Waterloo Bridge (circa 1820) – John Constable Print
From $66.00
Sky Study with Rainbow (1827) – John Constable Print
From $58.00
Dawn (between 1831 and 1832) – John Constable Print
From $74.00
Landscape (The Lock) (1820-25) – John Constable Print
From $58.00
Landscape with Cottages (1809-10) – John Constable Print
From $74.00

John Constable and the English Landscape

John Constable (1776–1837) was born in East Bergholt, Suffolk, and made the countryside around the River Stour a central subject of his painting. He studied at the Royal Academy Schools and developed his larger studio paintings from drawings and oil sketches made outdoors. His attention to changing weather, reflected light and familiar places gave British landscape painting a fresh sense of observation.

Associated with Romantic landscape painting, Constable found compelling subjects in working mills, riverside paths and cultivated fields. His pictures combine affection for the countryside with close attention to its textures: broken foliage, moving water and clouds that alter the light across a scene.

The Hay Wain and the River Stour

The Hay Wain (1821) depicts a horse-drawn wagon in the millpond at Flatford, with a cottage beside the water and fields beyond. The painting brought Constable international recognition when it was exhibited at the Paris Salon in 1824, where it won a gold medal.

Stratford Mill explores another part of the Stour landscape, bringing a working riverside setting together with trees, water and figures. In The Lock, the river’s practical use becomes the focus. These subjects show how closely Constable’s landscape painting was connected to the places and occupations he knew.

Parkland and Rural Views

Wivenhoe Park, Essex (1816) offers a different setting, with open parkland, trees and water replacing the busier mill scenes. Together, the works in this collection provide several approaches to Constable’s countryside, from recognisable river views to broader arrangements of land and sky.

For more paintings of fields, woodland and waterways, explore our landscape and scenery prints.

Related Artists, Styles and Schools

Constable’s natural observation can be considered alongside the light and atmosphere of J. M. W. Turner’s landscapes, another major strand of British Romantic painting. David Cox prints offer a further connection to the British landscape tradition, particularly its interest in weather and rural subjects.

Constable’s reception in France also helped shape later landscape painting. His work influenced the Barbizon School and the French Romantic movement, extending the significance of his Suffolk subjects beyond Britain.