John Constable Prints

Explore John Constable prints of rivers, farmland, parkland and historic buildings, including The Hay Wain, Stratford Mill and Wivenhoe Park. Constable’s landscapes bring together cloud-filled skies, leafy riverbanks and the everyday work of the English countryside.

Browse fine art prints, framed prints and canvas panels featuring one of Britain’s best-known landscape painters.

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Study of Clouds – John Constable Print
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View of a Copse – John Constable Print
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Salisbury Cathedral from the Meadows — Lighter Sky Version – John Constable Print
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A Young Girl In A Woodland Landscape – John Constable Print
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A Boy with a Toy Cart – John Constable Print
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Portrait of a Lady – John Constable Print
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Portrait of Elizabeth, Lady Croft – John Constable Print
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Horse and Cart – John Constable Print
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View Towards the Rectory, East Bergholt (1813) – John Constable Print
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The Cornfield – John Constable Print
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Harnham Bridge, Salisbury (1821) – John Constable Print
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Sketch for ‘The Haywain’ – John Constable Print
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Golding Constable’s House, East Bergholt (1809) – John Constable Print
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A View from Hampstead Heath – John Constable Print
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A Mill Near Colchester (1833) – John Constable Print
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Stoke-by-Nayland – John Constable Print
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The Old Mill Shed, Dedham – John Constable Print
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Mrs James Pulham Senior (Frances Amys) – John Constable Print
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Sketch of Leighton Hall, Lancashire, the hills of the Lake District beyond – John Constable Print
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Portrait of Eliza Lewis – John Constable Print
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The Glebe Farm (1827) – John Constable Print
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Miss Lewis with a Rabbit – John Constable Print
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Salisbury Cathedral from the Meadows — Dark Sky Version – John Constable Print
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Coast Scene Near Brighton (1824-1828) – John Constable Print
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John Constable and the English Landscape

John Constable (1776–1837) was born in East Bergholt, Suffolk, and made the countryside around the River Stour a central subject of his painting. He studied at the Royal Academy Schools and developed his larger studio paintings from drawings and oil sketches made outdoors. His attention to changing weather, reflected light and familiar places gave British landscape painting a fresh sense of observation.

Associated with Romantic landscape painting, Constable found compelling subjects in working mills, riverside paths and cultivated fields. His pictures combine affection for the countryside with close attention to its textures: broken foliage, moving water and clouds that alter the light across a scene.

The Hay Wain and the River Stour

The Hay Wain (1821) depicts a horse-drawn wagon in the millpond at Flatford, with a cottage beside the water and fields beyond. The painting brought Constable international recognition when it was exhibited at the Paris Salon in 1824, where it won a gold medal.

Stratford Mill explores another part of the Stour landscape, bringing a working riverside setting together with trees, water and figures. In The Lock, the river’s practical use becomes the focus. These subjects show how closely Constable’s landscape painting was connected to the places and occupations he knew.

Parkland and Rural Views

Wivenhoe Park, Essex (1816) offers a different setting, with open parkland, trees and water replacing the busier mill scenes. Together, the works in this collection provide several approaches to Constable’s countryside, from recognisable river views to broader arrangements of land and sky.

For more paintings of fields, woodland and waterways, explore our landscape and scenery prints.

Related Artists, Styles and Schools

Constable’s natural observation can be considered alongside the light and atmosphere of J. M. W. Turner’s landscapes, another major strand of British Romantic painting. David Cox prints offer a further connection to the British landscape tradition, particularly its interest in weather and rural subjects.

Constable’s reception in France also helped shape later landscape painting. His work influenced the Barbizon School and the French Romantic movement, extending the significance of his Suffolk subjects beyond Britain.