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Labastide-du-Vert and the surrounding countryside

The Bridge at Labastide-du-Vert sets pale arches above the river, with trees and buildings rising behind. The village reappears throughout the collection in views of its church, rooftops and surrounding valley. Related paintings follow the Lot countryside, where fields, cliffs and rural work provide a range of settings.

Gardens at Marquayrol

The Garden of Marquayrol looks along a sunlit path between dark, upright trees. Other garden subjects move between terraces, flowers and shaded walks. Martin’s closely spaced touches keep the surface active, even when the scene itself is still. Explore garden and flower paintings for further paths, borders and cultivated spaces, or floral prints for the smaller scale of a bouquet.

Venetian water and luminous colour

The Yellow Palace, Venice brings pale gold architecture to the edge of the canal, where the reflection breaks across the water. These Venetian views extend the collection beyond the French countryside while keeping light and colour at its centre. The wider Venice wall art collection offers contrasting treatments of the city’s buildings and waterways.

Related artists and collections

Compare Martin’s broken colour with the work of Henri-Edmond Cross and Paul Signac, or explore the garden paintings of Claude Monet. The Post-Impressionist collection brings together further approaches to colour and the painted surface.

Read more in our guide to Henri Martin.