Émile-Allain Séguy Prints – Prisms, Pattern & Geometric Colour
Émile-Allain Séguy prints fill the surface with repeated shapes and sharply contrasted colour. Curving bands, folded-looking triangles and crystalline clusters give the Prismes designs different rhythms. Browse these patterns alongside geometric art, abstract prints and Theo van Doesburg, comparing dense decoration with clearer divisions of colour.
Curving bands around a central patterned form
Prismes 22 crosses pale striped curves over a warm red-brown field. Yellow, white and dark fragments gather at the centre, giving the repeated bands a focus. The contrast between long curves and smaller angular parts keeps the dense surface varied.
Red triangles within a blue-edged pattern
Prismes 20 fits sharply pointed shapes together across the upright format. Pink textured areas interrupt the deeper red planes, while blue lines and small stepped motifs divide the surrounding field. Repetition makes the arrangement continuous without removing the differences between individual facets.
Pale crystalline clusters crossing blue lines
Prismes 19 spreads the bright fragments diagonally over grey, blue and ochre bands. Long repeated strips connect the clustered forms at different heights. The lighter palette gives the sharply divided design a different weight from the dense reds of Prismes 20.
Related artists and collections
Compare geometric colour in Theo van Doesburg, intersecting planes in Lyubov Popova and patterned structures in Karol Hiller. Further geometric prints develops the repeated shapes, while abstract art extends the relationship between texture, colour and rhythm.
Read more in our guide to Art Deco, Art Nouveau and Bauhaus.