Judith with the Head of Holofernes, Francesco Cairo
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Judith, seemingly stunned by her own actions, holding on to a decapitated head of a man that did her so wrong, she ended his life in such a grueling way. A very popular theme amongst great artists and storytellers.
Her servant urges her in the background to hurry. Protecting her in the moment of shock and astonishment. Life so quick and unintentional. The dragon has been slain, and the victor relinquished from its wrath. What will now come of the murder? Will her conscious, as well as that of her helper, be able to keep such a secret?
The painter in the classic and obvious Baroque style, captures the subject within its light in such a way as nothing else matters. Consequently, the viewer is tunneled into the gaze of Judith peering into the viewer’s own soul, asking for their utmost secrecy and silence. If we [the viewer] speak too loudly, she may be discovered and sentenced accordingly.
The gaze of Judith, the haste of her accomplice, the strong light and darkness all bringing this great painting to its historical significance and beauty.
In 1633, Cairo moved to Turin to work as a court painter, including portraits, to Vittorio Amedeo I of the House of Savoy. Between 1637 and 1638, Cairo travelled to Rome, where he encounters the works of Pietro da Cortona, Guido Reni and of the Caravaggisti. He returns to Lombardy to complete altarpieces for the Certosa of Pavia and a church at Casalpusterlengo. He painted a St. Theresa for San Carlo in Venice. Between 1646 and 1649, he returns to Turin, and paints an altarpiece for Savigliano and the church of San Salvario. He is also known as Il Cavalière del Cairo, because in Turin, he received the Order of Saints Maurice and Lazarus in recognition of his merit.
Many of his works are eccentric depictions of religious ecstasies; the saints appear liquefied and contorted by piety. He often caps them with exuberant, oriental turbans. He is sometimes compared with his Milanese contemporary, Carlo Francesco Nuvolone, also called il Panfilo.
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