A standing figure against the landscape

The Blue Boy sets the bright blue clothing before a warm dark outdoor background. One hand rests near the waist while the other lowers a hat. The clear silhouette and reflective folds give the body a strong presence within the surrounding trees and sky.

A clearing within the darker trees

Wooded Landscape with a Cottage and Shepherd opens a pale area of pasture between close foliage and a tall foreground trunk. Small animals and figures occupy the lower ground. Light beyond the trees gives the enclosed view a route into the distance.

A crossing beneath the rocky height

Mountain Landscape with Bridge places a small bridge among dark uneven ground, with trees, stone and distant hills rising beyond. Tiny figures establish the route’s scale. The larger rocky forms create a more dramatic setting than the lower pasture and cottage scenes.

Related artists and collections

Compare British countryside in John Constable, outdoor distance in John Glover and changing light in J. M. W. Turner. Further landscape art follows the trees, bridges and roads, while portraits and people extends the individual sitter’s pose, clothing and surrounding setting.

Read more in our David Cox and British landscape painting.