Cecilia Beaux Prints – Portraits, Pale Fabric & Individual Presence

Cecilia Beaux prints give individual sitters a clear presence through posture, fabric and carefully placed light. A cat, fan or small furnishing can add character without displacing the face and hands. Explore the collection alongside portrait prints, Impressionist art and Academic painting, comparing close encounters with more formal seated arrangements.

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Cecelia Beaux Print, Ernesta (1914)
From $38.00
Cecelia Beaux Print, Mr. and Mrs. Anson Phelps Stokes (circa 1898)
From $40.00
Cecelia Beaux Print, Dorothea and Francesca (1898)
From $40.00
Cecelia Beaux Print, Richard Watson Gilder (1902-1903)
From $46.00
Cecelia Beaux Print, Portrait of Mary Knox Buzby Addicks Warner
From $46.00
Cecelia Beaux Print, Sita and Sarita
From $38.00
Cecelia Beaux Print, Portrait of Catherine Eddy, Lady Primrose
From $38.00
Cecelia Beaux Print, New England Woman
From $38.00
Cecelia Beaux Print, Portrait of Cardinal Mercier (1919)
From $38.00
Cecelia Beaux Print, Admiral Sir David Beatty, Lord Beatty (1920)
From $38.00
Man with the Cat (Henry Sturgis Drinker), Cecelia Beaux Fine Art Print
From $38.00

A dark companion beside pale clothing

Sita and Sarita places the sitter in a light dress with a small black cat near the shoulder and dark hair. The pale fabric and patterned seat open against the restrained background. The contrast between the cat, hair and clothing gives the upper part of the portrait a particularly clear arrangement.

A seated figure within cool light

New England Woman shows the sitter in pale clothing and headwear beside a softly lit interior. A green-and-yellow fan adds a small warm accent near the lap. The chair, window and lightly described surfaces establish a room around the figure without competing with the turned face and folded body.

A sitter and animal within one close group

Man with the Cat, Henry Sturgis Drinker places the man in a pale suit with the cat resting across his lap. His hands and the animal’s body form a lower focus beneath the face. The broad light clothing separates the seated figure from the darker chair and surrounding vertical lines of the room.

Related artists and collections

Compare portrait light in John Singer Sargent, quiet sitters in William McGregor Paxton and figure relationships in Mary Cassatt. Further portraits and people follows faces, clothing and hands, while Academic art offers other approaches to the sitter’s pose and surrounding space.

Read more in our guide to Cecilia Beaux’s portraits.