The Martyrdom of Saint Agnes, Francesco Cairo

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Of all the virgin martyrs of Rome none was held in such high honour by the primitive church, since the fourth century, as St. Agnes.

In the ancient Roman calendar of the feasts of the martyrs…dating from 354 and often reprinted…her feast is assigned to 21 January, to which is added a detail as to the name of the road (Via Nomentana) near which her grave was located.

The earliest sacramentaries give the same date for her feast, and it is on this day that the Latin Church even now keeps her memory sacred.

Since the close of the fourth century the Fathers of the Church and Christian poets have sung her praises and extolled her virginity and heroism under torture. 

 

Francesco Cairo (1607 – 1665), also known as Francesco del Cairo, was an Italian Baroque painter active in Lombardy and Piedmont.  
He was born and died in Milan. It is not known where he obtained his early training though he is strongly influenced by the circle of il Morazzone, in works such as the Saint Teresa altarpiece in the Certosa di Pavia.

In 1633, Cairo moved to Turin to work as a court painter, including portraits, to Vittorio Amedeo I of the House of Savoy. Between 1637 and 1638, Cairo travelled to Rome, where he encounters the works of Pietro da Cortona, Guido Reni and of the Caravaggisti. He returns to Lombardy to complete altarpieces for the Certosa of Pavia and a church at Casalpusterlengo. He painted a St. Theresa for San Carlo in Venice. Between 1646 and 1649, he returns to Turin, and paints an altarpiece for Savigliano and the church of San Salvario. He is also known as Il Cavalière del Cairo, because in Turin, he received the Order of Saints Maurice and Lazarus in recognition of his merit.

Many of his works are eccentric depictions of religious ecstasies; the saints appear liquefied and contorted by piety. He often caps them with exuberant, oriental turbans. He is sometimes compared with his Milanese contemporary, Carlo Francesco Nuvolone, also called il Panfilo.
Available as a fine art print and as a stretched canvas panel (heavy fine art canvas stretched over 1.5 inch deep edge solid wood frame).

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deep edge canvas prints

  

All prints are made using archival art stocks and UV pigment inks to give up to 200 years life. Prints are sold unframed and unmounted.

 

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All orders for unframed fine art prints and original paintings are dispatched within 2 working days of receipt of payment.

Orders for custom framed prints are dispatched within 4 working days.

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Size and Printed Materials

Fine art papers are printed without any additional white border Please let us know at the time of ordering if you would like a small additional white border.

Rolled canvas options have an additional white border of approximately 2.5 inches (7cm) on all 4 sides to aid stretching.

Ready to hang canvas panels are stretched on 1.5 inch deep solid pine frames from sustainable forestry sources. The image is mirrored on all 4 sides to give an aesthetically pleasing finish.

Gift Wrap Option

Why not have us gift wrap your order and attach a personalised message to the recipient. Available for all orders. Each order is hand wrapped in high quality gift wrap with meatllic ribbon and bow. Your personalised message is printed on a card which is included with your order.

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Please note design may vary depending upon availability

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Framing Options - Instructions

We have a wide range of frames in standard sizes and we also make custom size frames.

To order a framed print:

1. select the print size you would like along with the print materials (matte paper, fine art paper).

2. Add your print choice to the basket.

3. Choose from our range of frames

4. Select the same size as the print you have added to your basket. If the frame size you want is not listed please contact us

5. Choose from the mount or no-mount option

6. Add your frame choice to the basket

7. Proceed to checkout.

Why Choose GalleryThane?

  • Printed and framed in-house
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  • Gift wrapping service available
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We have invested in the latest wide format print technology to produce museum quality giclee prints utilising the highest quality pigment inks to give outstanding colour reproduction.

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We print on the finest quality fine art papers with textured, smooth and lustre finishes for prints which last a lifetime.

From aceo miniatures to 40x80 inch large format, every print has our lifetime quality guaranteee.

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All of the wood for our canvas panels and frames is responsibly sourced from manages forests. Our cotton canvas is completely seedless for the highest quality reproduction possible.

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