Frederic Edwin Church, The Andes of Ecuador

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Details

Completed in 1855, The Andes of Ecuador is essentially a premier painter’s recreation of some visual inspiration which is often the preserve of a traveler. In this particular instance the landscape is one which Church came into contact with on his trip to South America, which speaks volumes of his mastery of the craft because the trip itself was in 1853, with re-visit to come again in 1857. In between those visits was the painting's completion. This is largely viewed to have been his very first prominent painting, perhaps rightfully referred to as his biggest work to date. The Reynolds House Museum of American Art, which is where the painting is held in Winston-Salem, North Carolina, refers to The Andes of Ecuador as "an early Luminism masterpiece." It’s very hard to argue with that declaration.

True to what would have likely been the natural medium-influence of Thomas Cole, who was Church’s teacher, The Andes of Ecuador was painted using oil on canvas. The influence appears to run a little deeper than that though, but with a distinctly Church-twist which is what probably made him stand out as the premier American landscape painter of that period. With this particular piece, it’s pretty clear that Church spared some detail, something which to a certain degree goes against his teacher Cole’s preference for a sublime and general effect achieved through limiting details. In The Andes of Ecuador, Church uses the sun’s prominent light to account for that overall effect touted by Cole, but the sunlight in turn reveals in great detail the various elements of the beautiful landscape which come together to make up a piece which could be said to be greater than the sum of its parts, but at the same time if you were to focus your keen eye on one segment of the painting it would probably be nothing short of complete.

The sunlight illuminates the entire image, distinguishing the faint mountains in the backdrop through shadows that give way to the emergence of greater detail as the eye draws closer (out) to the landscape elements in the foreground. Grazing lamas make for quite the pleasant surprise to the eye as one tends to first absorb the image as its composite whole. The duo of figures gathered at the stone cross nearby a collection of palm trees add another dimension to the hidden beauty of the painting, while the golden rays of the sun hitting the plateau form a large cross that may take a while to see.

Church was best known as a landscape painter, and was one of many who belonged to the Hudson River school. The members of this 19th-century art movement had been influenced by romanticism and expressed this through their works. 

Available as a fine art print and as a stretched canvas panel (heavy fine art canvas stretched over 1.5 inch deep edge solid wood frame) 

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All prints are made using archival art stocks and UV pigment inks to give up to 200 years life. Prints are sold unframed and unmounted.


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All orders for unframed fine art prints and original paintings are dispatched within 2 working days of receipt of payment.

Orders for custom framed prints are dispatched within 4 working days.

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All print and original painting orders are fully insured against loss or damage in transit. We refund or replace any damaged or lost orders.

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Size and Printed Materials

Fine art papers are printed without any additional white border Please let us know at the time of ordering if you would like a small additional white border.

Rolled canvas options have an additional white border of approximately 2.5 inches (7cm) on all 4 sides to aid stretching.

Ready to hang canvas panels are stretched on 1.5 inch deep solid pine frames from sustainable forestry sources. The image is mirrored on all 4 sides to give an aesthetically pleasing finish.

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Why not have us gift wrap your order and attach a personalised message to the recipient. Available for all orders. Each order is hand wrapped in high quality gift wrap with meatllic ribbon and bow. Your personalised message is printed on a card which is included with your order.

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Framing Options - Instructions

We have a wide range of frames in standard sizes and we also make custom size frames.

To order a framed print:

1. select the print size you would like along with the print materials (matte paper, fine art paper).

2. Add your print choice to the basket.

3. Choose from our range of frames

4. Select the same size as the print you have added to your basket. If the frame size you want is not listed please contact us

5. Choose from the mount or no-mount option

6. Add your frame choice to the basket

7. Proceed to checkout.

Why Choose GalleryThane?

  • Printed and framed in-house
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  • Gift wrapping service available
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We have invested in the latest wide format print technology to produce museum quality giclee prints utilising the highest quality pigment inks to give outstanding colour reproduction.

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We print on the finest quality fine art papers with textured, smooth and lustre finishes for prints which last a lifetime.

From aceo miniatures to 40x80 inch large format, every print has our lifetime quality guaranteee.

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All of the wood for our canvas panels and frames is responsibly sourced from manages forests. Our cotton canvas is completely seedless for the highest quality reproduction possible.

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