Henry Enrico Coleman Prints – Horses, Riders & Open Ground
Henry Enrico Coleman prints give groups of horses a shared direction across open land and water. Individual coats and turning heads keep the animals distinct within the larger movement. Browse these mounted scenes alongside animal art, landscape prints and Rosa Bonheur, comparing clustered herds with riders spread across the foreground.
Turning horses within a dusty enclosure
Separating a Stallion gathers pale and brown animals around the mounted figure, with several heads and bodies angled away from the centre. Dust softens parts of the group. The closely overlapping forms make the horses’ different directions important to understanding the activity across the open ground.
A herd following riders through shallow water
Bringing in the Horses sets the near pale horse apart from a longer line of darker animals behind. Reflections and small splashes interrupt the foreground surface. Low hills leave the sky open above the procession, keeping the repeated heads and moving legs clearly connected across the wide view.
Riders spread across a fast-moving line
Arab Horsemen in Gallop angles the horses through a pale cloud of dust, with raised equipment and flying fabric above them. Different coats separate the mounts within the crowded group. The low horizon leaves the extended silhouettes exposed, making direction and speed more prominent than detailed surrounding buildings.
Related artists and collections
Compare closely observed horses in Rosa Bonheur, mounted movement in Frederic Remington and equestrian encounters in Heywood Hardy. Further animal prints follows posture and coat, while landscape art extends the open ground, distant hills and changing weather around the riders.
Read more in our Frederic Remington guide to mounted figures.