Heinrich Lossow paintings

Heinrich Lossow Prints

Heinrich Lossow was a German painter who bridged academic realism and expressionism. Known for his emotionally intense portraits and landscapes, he employed color as a means of emotional expression. His work, though never widely famous, has gained increasing recognition for its psychological depth and evocative power.

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The Sin by Heinrich Lossow
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Heinrich Lossow Fine Art Print, An Afternoon Stroll
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Heinrich Lossow Fine Art Print, Love Whispers
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Gustave Moreau Print, The Martyred Saint Sebastian (1869)
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Gustave Moreau Print, The Infant Moses (c. 1876)
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Gustave Moreau Print, The Chimera (1867)
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Gustave Moreau Print, The Apparition (1876)
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Gustave Moreau Print, Poet And Satyrs (C. 1890)
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Gustave Moreau Print, Pietà (death of Christ)
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Gustave Moreau Print, Perseus and Andromeda
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Gustave Moreau Print, The Dream of a Mogul Inhabitant (c 1881)
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Gustave Moreau Fine Art Print, The Death of Sappho (1872)
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Gustave Moreau Fine Art Print, The Bride of the Night
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Gustave Moreau Print, Hercules and The Lernaean Hydra (1875)
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Gustave Moreau Print, Diomedes Devoured by Horses (1866)
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Gustave Moreau Print, Diomedes Devoured by His Horses (c1865)
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Gustave Moreau Print, Dejanira (Autumn) (1872)
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Gustave Moreau Fine Art Print, Arion, Greek Poet
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Gustave Moreau Print, The Young Man And Death (1856)
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Gustave Moreau Print, The Toilette (c.1885)
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Gustave Moreau Print, The Sirens (1882)
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Gustave Moreau Print, Salomé Dancing Before the Head of St. John the Baptist
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Gustave Moreau Print, Salomé Dancing before Herod (1876)
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Heinrich Lossow was a German painter whose work emerged at the intersection of 19th-century academic realism and the burgeoning expressionist movement. Born in 1863, Lossow grew up in an era when the art world was shifting dramatically, with traditional techniques facing the stirrings of modernism. He was deeply influenced by the grand traditions of classical German painting, yet his art often transcended pure academic realism, bringing an emotional intensity that foreshadowed the more radical shifts of expressionism. Lossow's work often featured portraits, landscapes, and genre scenes, capturing a world both immediate and deeply introspective. His portraits, in particular, possess a strong psychological depth that reveals not just the physical likeness of his subjects but also an inner world. His ability to convey subtle nuances of human emotion set him apart from many of his contemporaries. His landscapes, while rooted in realism, are tinged with an almost surreal quality, their light and composition evoking a dreamlike sense of place. Perhaps one of the most striking features of Lossow's paintings is his use of color. While he remained grounded in the darker tones and refined palettes of the academic tradition, he was also an early experimenter with the contrasts and vibrancy that would come to define expressionism. This use of color served as more than just a visual tool; it was a conduit for emotional expression, subtly guiding the viewer through a narrative not just of the subject, but of the artist's own inner turmoil and longing. Despite his artistic prowess, Lossow's work remained somewhat niche, never achieving the widespread fame of some of his peers, but he was respected within the circles of those who appreciated the emotional depth and complexity of his work. His later years were marked by increasing introspection and an increasing interest in themes of the human condition, which became more pronounced in his final works. Heinrich Lossow died in 1933, leaving behind a body of work that has only grown in stature with time.