Edward Theodore Compton Prints – Alpine Mountains & Views

Edward Theodore Compton prints explore snow-covered peaks, glaciers, wooded valleys and mountain towns. Views of Monte Rosa, the Dolomites and other Alpine settings sit beside castles, lakes and coastal scenes. Browse unframed prints, framed prints and canvas panels, with further high-ground subjects in Turner’s Alpine landscapes and our landscape collection.

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Edward Compton Print, The North side of the Großglockner (1919)
From CHF 18.00
Edward Compton Print, View of the Hohensalzburg Fortress
From CHF 18.00
Edward Compton Print, View of the Ortler from St. Valentin (1889)
From CHF 18.00
Edward Compton Print, Augustiner Bräu and Kloster Mülln
From CHF 18.00
Edward Compton Print, View of the Marmolada from Piz Boè (1917)
From CHF 18.00
Edward Compton Print, Benediktenwand (Schlehdorf and Lake Kochel)
From CHF 18.00
Edward Compton Print, On Adamello (Ca. 1920)
From CHF 18.00
Edward Compton Print, A view of Bregenz and Lake Bodensee
From CHF 18.00
Edward Compton Print, Crozzon di Brenta from Cima Tosa (1917)
From CHF 22.00
Edward Compton Print, Palatine in Rome
From CHF 22.00
Edward Compton Print, Llyn Idwal (North Wales) (1908)
From CHF 22.00
Edward Compton Print, Hohe Kammer Kitzsteinhorn (1909)
From CHF 22.00
Edward Compton Print, Mountain gorge with roaring waterfall
From CHF 22.00
Edward Compton Print, Engelberg (Switzerland) (1880)
From CHF 22.00
Edward Compton Print, The Staubbach Falls in Lauterbrunnen (1869)
From CHF 22.00
Edward Compton Print, On the Morteratsch Glacier (1903)
From CHF 22.00
Edward Compton Print, Landscape with narrow path and oxcart
From CHF 22.00

High peaks above the clouds

Above the Sea of Fog, Monte Rosa places a snowy ridge above lower cloud, with nearby rock giving the viewpoint a sense of height. Other high-mountain subjects follow glaciers, passes and exposed summits. The changing proportions of snow, cloud and rock offer a way to compare the works across different places.

The atmosphere of the Dolomites

In the Dolomites combines a close rocky slope with pale, mist-softened heights beyond. Its narrow composition gives the ascent a different rhythm from the broad panoramas. Other mountain studies range from sharply defined peaks to views where light and cloud soften the distant forms.

Castles, valleys and the lower ground

A View of Neuschwanstein sets the pale castle within a much wider arrangement of wooded slopes, water and mountain rock. Lakes, villages and city views elsewhere extend the collection beyond the summits. Browse architectural prints for further buildings within their surroundings.

Related artists and collections

Compare mountain subjects by Albert Bierstadt, the Alpine architecture of Oskar Mulley and J. M. W. Turner’s Alpine scenes. Our landscape prints provide further views of lakes, woodland and high country.

Read more in our guide to Edward Theodore Compton.