Edmund Blair Leighton Prints – Historical Stories & Quiet Encounters

Edmund Blair Leighton prints bring storytelling into gestures, clothing and the spaces between figures. Medieval settings sit beside quieter garden, river and domestic scenes. Explore moments of departure, concentration and shared activity alongside figurative art and Academic prints, following the details that establish each encounter.

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The Shadow – Edmund Blair Leighton Fine Art Print
From CHF 18.00
Stitching the Standard, Historical Genre Scene, Edmund Blair Leighton Fine Art Print
From CHF 14.00
God Speed, Historical Genre Scene, Edmund Blair Leighton Fine Art Print
From CHF 18.00
My Lady’s Garden (1905), Edmund Blair Leighton Fine Art Print
From CHF 21.00
Girl On A Coastal Path (1893), Edmund Blair Leighton Fine Art Print
From CHF 21.00
The Ferry, Edmund Blair Leighton Fine Art Print
From CHF 18.00
The Elopement (1893), Edmund Blair Leighton Fine Art Print
From CHF 18.00
The Appointed Time (1890), Edmund Blair Leighton Fine Art Print
From CHF 18.00
Off (1911), Edmund Blair Leighton Fine Art Print
From CHF 18.00
A Picnic Party (1920), Edmund Blair Leighton Fine Art Print
From CHF 18.00
Ribbons And Laces For Very Pretty Faces (1902), Edmund Blair Leighton Print
From CHF 14.00
My next door neighbour (1894), Edmund Blair Leighton Print
From CHF 14.00
‘What shall I say’ (1889), Historical Genre Scene, Edmund Blair Leighton Print
From CHF 14.00
Yes or No, Historical Genre Scene, Edmund Blair Leighton Fine Art Print
From CHF 14.00
A Favour, Historical Genre Scene, Edmund Blair Leighton Fine Art Print
From CHF 18.00

A farewell at the stone doorway

God Speed places a richly dressed woman beside an armoured rider, with a dark arch behind them. Pale fabric and red cloth separate the two figures from the stone setting. Their joined action makes the small area between hands and upper bodies the focus of the composition.

A single figure absorbed in work

Stitching the Standard shows a woman holding a large yellow-and-dark textile on a pale stone terrace. Her lowered head and angled arms direct attention towards the fabric. The simple architectural surroundings leave the folds and contrasting colours to describe the main movement within the still pose.

Passengers gathered on the river

The Ferry groups figures within a small open boat, with the rower at one end and houses beyond the bank. Different hats and clothing separate the passengers without breaking the group apart. The horizontal river setting offers a less enclosed counterpart to the stone doorways and terraces.

Related artists and collections

Explore other narrative figures in John William Waterhouse and John Everett Millais, or compare classical arrangements in Frederic Leighton. Further figurative prints follow gestures and relationships, while Academic art broadens the range of carefully composed historical and imagined settings.

Read more in our guide to Edmund Blair Leighton.