Dario de Regoyos Paintings

Dario de Regoyos Prints

Dario de Regoyos was a Spanish modernist whose atmospheric works blended Impressionist techniques with the spirit of his homeland. His evocative landscapes and narratives explored Spain’s cultural and natural beauty, bridging tradition and innovation. As an artist and cultural mediator, he left a profound legacy in the evolution of modern Spanish art.

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Darío de Regoyos Print, The Passing of the Train (1902)
From CHF 5.00
Darío de Regoyos Print, Farmhouse, Namur
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Darío de Regoyos Print, Azul, San Sebastian (1900)
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Darío de Regoyos Print, Good Friday in Castile (1904)
From CHF 13.00
Darío de Regoyos Print, The Santa Catalina Bridge in San Sebastián
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Darío de Regoyos Print, The Countryside near Ripoll, Catalonia (1912)
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Darío de Regoyos Print, Storm in the Pyrenees (1885)
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Darío de Regoyos Print, Sierra Nevada
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Darío de Regoyos Print, Rentería and the mountains ofAya
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Darío de Regoyos Print, Landscape near Hernani (1900)
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Darío de Regoyos Print, Good Friday Morning in Orduña (1903)
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Darío de Regoyos Print, Blast Furnaces in Bilbao (1908)
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Darío de Regoyos Print, Bathing in Rentería (1900)
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Darío de Regoyos Print, Almond Trees in Blossom (1902)
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Darío de Regoyos, The Downpour. Santoña Bay (1900)
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Darío de Regoyos, The Concha, Night-time (c. 1906)
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Darío de Regoyos, Pancorbo Passing Train (1901)
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Darío de Regoyos, Marché En Navarre
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Darío de Regoyos, El tajo de Ronda (The New Bridge, Ronda)
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Derwent Lee Print, Capel-y-ffin, Wales
CHF 3.00
Albert Marquet Print, The port of Algiers under the fog
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Albert Marquet Print, Le Pilat (1935)
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Camille Pissarro Print, Piette's House in Montfoucault (1874)
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Camille Pissarro Print, The House of Mr. Musy, Louveciennes (c1872)
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Camille Pissarro Print, Farm at Montfoucault (1874)
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Camille Pissarro Print, The railway barrier, at Pâtis near Pontoise (1873)
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Camille Pissarro Print, L’Île Lacroix, Rouen (The Effect of Fog)
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Camille Pissarro Print, The Pond at Sunset, Montfoucault (1874)
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Camille Pissarro Print, The Church of Saint-Jacques in Dieppe
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Camille Pissarro Print, L’Avenue de l’Opéra (1898)
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Camille Pissarro Print, Outer Harbor of Dieppe, Afternoon (1902)
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Camille Pissarro Print, Anse des Pilotes, afternoon, Le Havre (1903)
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Camille Pissarro Print, Julie Pissarro peeling vegetables (1878)
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Camille Pissarro Print, Jeanne Pissarro known as Cocotte, reading 1899
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Camille Pissarro Print, Garden, chicken coop, Octave Mirbeau’s
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Camille Pissarro Print, Kew Gardens, London (1892)
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Camille Pissarro Print, Houses at Bougival (Autumn)
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Camille Pissarro Print, Haystacks, Morning, Éragny (1899)
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Camille Pissarro Print, Hampton Court Green (1891)
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Dario de Regoyos was a pivotal figure in Spanish modernism, whose art bridged the gap between tradition and innovation during a transformative period in European painting. Born in Ribadesella in 1857, his work carried the soul of his homeland while embracing avant-garde techniques he encountered during his extensive travels. Regoyos was deeply influenced by his studies in Belgium, where he became part of the progressive art group L'Essor and later Les XX, both of which championed Impressionist and Post-Impressionist ideals. His exposure to these movements honed his unique approach to light and color, allowing him to develop a style that was both atmospheric and deeply evocative. Regoyos’s oeuvre reveals an artist constantly engaging with the landscapes and people of Spain, rendering them with a rare sensitivity that transcended the picturesque. His fascination with light, particularly the interplay of shadow and luminosity, imbued his works with an emotional resonance. Regoyos often depicted rural life, villages bathed in golden sunlight, and dramatic skies over barren hills. These scenes were not mere representations but poetic meditations on the changing face of a country caught between its rich cultural heritage and the pressures of modernization. What set Regoyos apart was his ability to weave a subtle narrative into his paintings. Works like La Concha, San Sebastián captured more than a view; they conveyed a mood, a moment suspended in time. His use of vibrant, often unexpected colors brought an almost musical quality to his canvases, reflecting his lifelong love of the arts beyond painting. This multidimensionality made his art deeply personal yet universally resonant. Though not as widely known as his contemporaries, Regoyos’s contributions to art were profound. He paved the way for future generations of Spanish modernists by introducing them to Impressionist techniques and philosophies, while remaining rooted in the distinct character of Spanish life. His work stands as a testament to the power of blending influences, proving that art need not choose between the local and the global—it can thrive in the dynamic interplay between them.