Pale piers above a patterned floor

Interior of the Cunerakerk, Rhenen looks between large near supports towards the distant organ and further arches. Small visitors and a dog occupy the lower space. Warm light on stone and paving separates successive levels of the interior while preserving a continuous view through the building.

Rich wall decoration around an open nave

Interior of a Catholic Church frames the central route with columns, paintings and ornamented fittings. Bright red clothing draws attention to a small kneeling figure near the foreground. The repeating floor pattern links the scattered visitors to the larger sequence of arches beyond them.

Broad floor space beneath layered arches

Interior of a Baroque Church places a large timber fitting near the right edge, with figures dispersed across the lighter central area. Repeated openings lead towards a distant altar. The angled view lets the near furnishings partly interrupt the architecture without closing the route into its deeper spaces.

Related artists and collections

Compare church perspective in Gerard Houckgeest, observed interiors in Samuel Halpert and restrained rooms in Vilhelm Hammershøi. Further architecture art follows the columns and openings, while Old Master prints extends the treatment of scale, masonry and reflected light.

Read more in our Vilhelm Hammershøi guide to interior space.