Albert Letchford Prints

Albert Letchford Prints

Albert Letchford (1866–1905), a gifted illustrator and painter, is best known for his captivating work on Burton’s The Arabian Nights. His detailed, atmospheric art blended realism with the fantastical, reflecting Victorian interests in exoticism. Though his life and career were brief, his illustrations remain a testament to his imaginative and technical brilliance.

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Albert Letchford Print, The Corner of Sir Richard Burton's Study
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Albert Letchford Print, Sir Richard Burton's Study
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Arthur Dove Print, Hand Sewing Machine (1927)
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Arthur Dove Print, Goat (1935)
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Arthur Dove Print, George Gershwin–‘Rhapsody in Blue,’ Part I (1927)
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Arthur Dove Fine Art Print, Fishboat (1930)
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Arthur Dove Fine Art Print, Cow (circa 1912)
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Arthur Dove Fine Art Print, Clouds and Water (1930)
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Arthur Dove Fine Art Print, Chair (1928)
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Arthur Dove Fine Art Print, Car across the Street (1940)
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Arthur Dove Fine Art Print, Beach (1940)
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Arthur Dove Fine Art Print, Barnyard Fantasy (1935)
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John Singer Sargent Print, Portrait Of Duchess Of Sutherland (1904)
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John Singer Sargent Print, Portrait of Lisa Colt Curtis (1898)
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John Singer Sargent Print, Mrs. Hugh Hammersley (1892-1893)
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John Singer Sargent Print, Mrs. George Swinton (Elizabeth Ebsworth)
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John Singer Sargent Print, Mrs. Albert Vickers (Edith Foster) (1884)
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John Singer Sargent Print, Marie Buloz Pailleron (1879)
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John Singer Sargent Print, Margaret Stuyvesant Rutherfurd White (1883)
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John Singer Sargent Print, Lady Helen Vincent, Viscountess d’Abernon
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John Singer Sargent Print, Duchess Louise Margaret of Connaught
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Dorothea Maetzel-Johannsen Print, Still Life with Flowers (1920)
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Albert Letchford, a painter and illustrator of the late 19th century, remains a fascinating yet enigmatic figure in the history of art. Best known for his work as the illustrator of Sir Richard Francis Burton’s translation of The Book of the Thousand Nights and a Night (commonly known as The Arabian Nights), Letchford’s style captured a sense of exoticism and drama that resonated with the Victorian fascination for the Orient. His illustrations—meticulously detailed and brimming with emotion—brought the stories to life, blending meticulous draftsmanship with an imaginative flair that elevated the text’s mystique. Despite the acclaim his work received, Letchford’s career was relatively brief, and much about his life remains shrouded in mystery. Born in England in 1866, Letchford displayed an early aptitude for art, which led him to train at the École des Beaux-Arts in Paris, a hub for artistic innovation at the time. His experiences in Paris likely informed his technical precision and his ability to balance realism with the fantastical elements needed for his illustrations. Letchford’s ability to convey atmosphere and character through line work and shading made his illustrations a definitive visual companion to Burton’s literary masterpiece. The intricate designs, filled with flowing drapery, architectural details, and expressive faces, invite viewers into a world of romance, intrigue, and adventure. Letchford’s artistic contributions, however, extended beyond The Arabian Nights. He produced a variety of paintings, often depicting quiet interiors or portraits that demonstrated his keen eye for capturing mood and personality. Yet, unlike his contemporaries who achieved widespread fame, Letchford's output was limited, and he did not receive extensive recognition during his lifetime. His untimely death in 1905 at the age of 39 curtailed what might have been a more extensive and celebrated career. The scarcity of biographical information about Letchford only deepens the intrigue surrounding him, making his works all the more compelling for art historians and enthusiasts. Today, Letchford is remembered primarily for his illustrations, which endure as a testament to his skill and imaginative power. His art continues to captivate those who delve into the richly woven tapestry of The Arabian Nights, serving as a bridge between the literary and the visual, and a window into the artistic sensibilities of his era.