{"product_id":"jazz-folio-5-by-henri-matisse-the-lagoon-ii","title":"The Lagoon II (1947) (Jazz Folio) by Henri Matisse","description":"\u003ch2\u003eHenri Matisse – The Lagoon II (1947) (Jazz Folio) Prints\u003c\/h2\u003e\n\n\u003cp\u003eBring the vivid colour and flowing organic forms of Henri Matisse’s celebrated \u003cem\u003eJazz\u003c\/em\u003e portfolio into your home with a \u003cstrong\u003eHenri Matisse The Lagoon II print\u003c\/strong\u003e. Published in 1947 as Plate XVIII of \u003cem\u003eJazz\u003c\/em\u003e, \u003cem\u003eThe Lagoon II (Le Lagon)\u003c\/em\u003e is the second of three closely related Lagoon compositions in which Matisse transformed aquatic and botanical inspiration into an exuberant arrangement of colour and abstract form.\u003c\/p\u003e\n\n\u003cp\u003eAvailable as fine art prints and canvas panels, \u003cem\u003eThe Lagoon II\u003c\/em\u003e combines a brilliant green field with sweeping magenta, white and black shapes, framed by contrasting bands of blue and turquoise. The result is energetic yet beautifully balanced, demonstrating Matisse’s extraordinary ability to suggest natural movement through the simplest possible visual language.\u003c\/p\u003e\n\n\u003ch3\u003eThe Second of Matisse’s Three Lagoon Compositions\u003c\/h3\u003e\n\n\u003cp\u003e\u003cem\u003eThe Lagoon II\u003c\/em\u003e appears as \u003cstrong\u003ePlate XVIII\u003c\/strong\u003e in Matisse’s \u003cem\u003eJazz\u003c\/em\u003e portfolio and forms the central work in a sequence of three related compositions. \u003cem\u003eThe Lagoon I\u003c\/em\u003e appears immediately before it as Plate XVII, while \u003cem\u003eThe Lagoon III\u003c\/em\u003e follows as Plate XIX.\u003c\/p\u003e\n\n\u003cp\u003eAcross the three works, Matisse repeatedly rearranged a vocabulary of curving, branching and floating forms. Rather than simply reproducing one design, he altered their positions, colours and relationships, creating three variations that can be appreciated independently or together as a visual sequence.\u003c\/p\u003e\n\n\u003cp\u003eIn \u003cem\u003eThe Lagoon II\u003c\/em\u003e, the brilliant green background gives the composition a particularly fresh and energetic character. A serpentine magenta form travels across the upper section, while a complex black motif stretches horizontally below it. Large areas of white weave between the coloured shapes, creating the impression of movement and open space.\u003c\/p\u003e\n\n\u003ch2\u003ePainting Style\u003c\/h2\u003e\n\n\u003ch3\u003eAn Abstract Vision of an Underwater World\u003c\/h3\u003e\n\n\u003cp\u003eThe forms in \u003cem\u003eThe Lagoon II\u003c\/em\u003e are highly simplified, yet their inspiration remains closely connected with the natural world. Matisse repeatedly drew upon leaves, flowers, algae, coral and other organic forms when developing his late paper cut-outs.\u003c\/p\u003e\n\n\u003cp\u003eThe black branching shape can suggest aquatic vegetation or coral, while the long magenta form has the fluid quality of seaweed drifting in a current. The surrounding white shapes appear to flow through the image like channels of water or open spaces between floating organisms.\u003c\/p\u003e\n\n\u003cp\u003eMatisse deliberately leaves these forms open to interpretation. The work never becomes a literal underwater scene; instead, natural shapes are transformed into an abstract composition governed by rhythm, colour and balance.\u003c\/p\u003e\n\n\u003ch3\u003eDrawing with Scissors\u003c\/h3\u003e\n\n\u003cp\u003eThe designs for \u003cem\u003eJazz\u003c\/em\u003e grew from Matisse’s revolutionary experiments with \u003cstrong\u003egouache-painted paper cut-outs\u003c\/strong\u003e. Assistants prepared sheets of paper painted in intense colours, which Matisse then cut directly with scissors and arranged into compositions.\u003c\/p\u003e\n\n\u003cp\u003eHe described this method as \u003cstrong\u003e“drawing with scissors”\u003c\/strong\u003e. Cutting directly into colour allowed him to create the edge of a form and its coloured surface simultaneously, bringing drawing and painting together in a single action.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThe Lagoon II\u003c\/em\u003e shows how expressive this technique could become. Its broad curves, irregular edges and organic silhouettes have an immediacy that feels spontaneous, yet their placement is carefully controlled to create an exceptionally balanced design.\u003c\/p\u003e\n\n\u003ch3\u003eColour and Movement in The Lagoon II\u003c\/h3\u003e\n\n\u003cp\u003eColour is central to the impact of \u003cem\u003eThe Lagoon II\u003c\/em\u003e. The expansive green field establishes the dominant atmosphere, while magenta, black, blue and turquoise create strong contrasts across the composition.\u003c\/p\u003e\n\n\u003cp\u003eThe magenta form moves horizontally like a visual current, while the black shapes below provide greater weight and complexity. The blue and turquoise bands at either side help contain the composition and reinforce its sense of structure.\u003c\/p\u003e\n\n\u003cp\u003eEqually important are the areas where no coloured paper appears. These pale negative spaces flow between the stronger shapes and become active parts of the composition rather than merely empty background. This balance of colour and open space gives the work its distinctive sense of movement and clarity.\u003c\/p\u003e\n\n\u003ch3\u003eThe Lagoon Sequence and the Rhythm of Jazz\u003c\/h3\u003e\n\n\u003cp\u003eThe title \u003cem\u003eJazz\u003c\/em\u003e does not mean that every image in Matisse’s portfolio depicts music or musicians. Instead, the name reflects qualities such as improvisation, rhythm, repetition and variation that run throughout the series.\u003c\/p\u003e\n\n\u003cp\u003eThe three \u003cem\u003eLagoon\u003c\/em\u003e compositions demonstrate this idea particularly clearly. Related shapes return from one plate to another but are reorganised into different combinations, much as a musical phrase might be repeated and transformed during an improvisation.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThe Lagoon II\u003c\/em\u003e occupies the middle position in this sequence, providing a visual bridge between the first and third compositions while retaining its own distinctive arrangement and colour relationships.\u003c\/p\u003e\n\n\u003ch3\u003eFrom Cut-Paper Composition to the 1947 Jazz Folio\u003c\/h3\u003e\n\n\u003cp\u003eMatisse developed the cut-paper compositions that would become \u003cem\u003eJazz\u003c\/em\u003e during the 1940s. The completed artist’s book was published in Paris in 1947 by Tériade and contained twenty brilliantly coloured plates accompanied by Matisse’s handwritten text.\u003c\/p\u003e\n\n\u003cp\u003eFor publication, the colours of the original painted-paper designs were reproduced using the \u003cstrong\u003epochoir stencil process\u003c\/strong\u003e. This painstaking method enabled the printed plates to retain much of the intensity and flatness of Matisse’s gouache-painted papers.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eJazz\u003c\/em\u003e became one of the defining projects of Matisse’s late career and an important stage in the development of the monumental paper cut-outs he would create during his final years.\u003c\/p\u003e\n\n\u003ch3\u003eThe Lagoon II Wall Art for Modern Interiors\u003c\/h3\u003e\n\n\u003cp\u003eA \u003cstrong\u003eHenri Matisse The Lagoon II wall art print\u003c\/strong\u003e makes a particularly strong choice for interiors where vivid colour and clean modernist design are desired. Its bright green background creates immediate impact, while the sweeping organic forms prevent the composition from feeling rigid or overly geometric.\u003c\/p\u003e\n\n\u003cp\u003eThe work is especially well suited to contemporary, Scandinavian, mid-century modern and eclectic interiors. Against white, cream, beige or putty-coloured walls, the saturated green, magenta and blue tones become a striking focal point.\u003c\/p\u003e\n\n\u003cp\u003eDisplayed above a sofa, console table, sideboard or bed, a \u003cstrong\u003eThe Lagoon II Matisse print\u003c\/strong\u003e introduces movement and personality to the room. It also works exceptionally well alongside \u003cem\u003eThe Lagoon I\u003c\/em\u003e and \u003cem\u003eThe Lagoon III\u003c\/em\u003e, allowing the complete three-part Lagoon sequence from \u003cem\u003eJazz\u003c\/em\u003e to be displayed together.\u003c\/p\u003e\n\n\u003ch2\u003eAbout Henri Matisse\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eHenri Matisse\u003c\/strong\u003e (1869–1954) was a French painter, draughtsman, sculptor and printmaker whose radical exploration of colour and form made him one of the most influential artists of twentieth-century modernism.\u003c\/p\u003e\n\n\u003cp\u003eMatisse first achieved international recognition as the leading figure associated with \u003cstrong\u003eFauvism\u003c\/strong\u003e. His paintings of the early twentieth century rejected conventional naturalistic colour in favour of brilliant hues selected for their expressive and compositional effect.\u003c\/p\u003e\n\n\u003cp\u003eThroughout his career, Matisse progressively simplified his visual language. Figures, interiors, landscapes and natural forms were increasingly reduced to flowing contours and broad areas of colour.\u003c\/p\u003e\n\n\u003cp\u003eDuring the 1940s, physical limitations encouraged him to work extensively with painted paper and scissors. What initially developed as a practical method of composing became an independent artistic medium capable of producing some of the most innovative work of his career.\u003c\/p\u003e\n\n\u003cp\u003eThe \u003cem\u003eJazz\u003c\/em\u003e portfolio represents a crucial stage in this development. Its brilliant colour, simplified forms and rhythmic arrangements anticipated the monumental cut-outs of Matisse’s final years, including the \u003cem\u003eBlue Nudes\u003c\/em\u003e and \u003cem\u003eThe Snail\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eToday, \u003cstrong\u003eHenri Matisse prints\u003c\/strong\u003e remain especially popular for their combination of major art-historical significance, extraordinary colour and an enduring visual simplicity that complements contemporary interiors.\u003c\/p\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is The Lagoon II by Henri Matisse?\u003c\/h3\u003e\n\n\u003cp\u003e\u003cem\u003eThe Lagoon II\u003c\/em\u003e is the second of three related \u003cem\u003eLagoon (Le Lagon)\u003c\/em\u003e compositions included in Henri Matisse’s celebrated \u003cem\u003eJazz\u003c\/em\u003e portfolio.\u003c\/p\u003e\n\n\u003ch3\u003eWhat plate number is The Lagoon II in Jazz?\u003c\/h3\u003e\n\n\u003cp\u003e\u003cem\u003eThe Lagoon II\u003c\/em\u003e is \u003cstrong\u003ePlate XVIII\u003c\/strong\u003e of the twenty colour plates in \u003cem\u003eJazz\u003c\/em\u003e. \u003cem\u003eThe Lagoon I\u003c\/em\u003e is Plate XVII and \u003cem\u003eThe Lagoon III\u003c\/em\u003e is Plate XIX.\u003c\/p\u003e\n\n\u003ch3\u003eWhen was The Lagoon II published?\u003c\/h3\u003e\n\n\u003cp\u003e\u003cem\u003eThe Lagoon II\u003c\/em\u003e was published in 1947 as part of Matisse’s \u003cem\u003eJazz\u003c\/em\u003e artist’s book. The cut-paper compositions on which the published designs were based were developed several years earlier.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the French title of The Lagoon II?\u003c\/h3\u003e\n\n\u003cp\u003eThe French title is \u003cem\u003eLe Lagon\u003c\/em\u003e. The three related Lagoon compositions are generally distinguished by their sequence or by their respective plate numbers within \u003cem\u003eJazz\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does The Lagoon II depict?\u003c\/h3\u003e\n\n\u003cp\u003eThe work is abstract but clearly inspired by organic and aquatic forms. Its curving shapes can suggest algae, seaweed, coral and other marine life moving through an underwater environment.\u003c\/p\u003e\n\n\u003ch3\u003eHow did Henri Matisse create The Lagoon II?\u003c\/h3\u003e\n\n\u003cp\u003eMatisse developed the composition using paper painted with gouache, which he cut into shapes with scissors and arranged into a design. The image was subsequently reproduced for the published \u003cem\u003eJazz\u003c\/em\u003e portfolio using the pochoir stencil process.\u003c\/p\u003e\n\n\u003ch3\u003eWhy are there three Lagoon works in Jazz?\u003c\/h3\u003e\n\n\u003cp\u003eThe three Lagoon compositions allowed Matisse to explore variation and repetition. Similar organic shapes appear in changing arrangements and colour combinations, creating a visual equivalent of a musical theme being repeatedly reinterpreted.\u003c\/p\u003e\n\n\u003ch3\u003eCan The Lagoon I, II and III be displayed together?\u003c\/h3\u003e\n\n\u003cp\u003eYes. Because the three works were conceived as closely related compositions within the same section of \u003cem\u003eJazz\u003c\/em\u003e, they make a particularly effective group. Displayed together, they reveal how Matisse transformed similar shapes through changes in colour, position and rhythm.\u003c\/p\u003e\n\n\u003ch3\u003eWhat interiors suit a The Lagoon II print?\u003c\/h3\u003e\n\n\u003cp\u003e\u003cem\u003eThe Lagoon II\u003c\/em\u003e works particularly well in contemporary, Scandinavian, mid-century modern and eclectic interiors. Its vivid green field and flowing coloured forms can provide a strong focal point against neutral walls.\u003c\/p\u003e\n\n\u003ch3\u003eIs The Lagoon II available as a canvas panel?\u003c\/h3\u003e\n\n\u003cp\u003eGalleryThane offers \u003cem\u003eThe Lagoon II\u003c\/em\u003e as fine art prints and canvas panels, providing different ways to display this vibrant work from Henri Matisse’s celebrated \u003cem\u003eJazz\u003c\/em\u003e portfolio.\u003c\/p\u003e\n","brand":"OnTrendAndFab","offers":[{"title":"6x9 inches \/ smooth art paper \/ unframed print","offer_id":44245506556095,"sku":"","price":14.7,"currency_code":"GBP","in_stock":true},{"title":"6x9 inches \/ Premium Fine Art Paper \/ unframed print","offer_id":44245506588863,"sku":"","price":17.85,"currency_code":"GBP","in_stock":true},{"title":"8x12 inches \/ smooth art paper \/ unframed print","offer_id":44245506654399,"sku":"","price":18.9,"currency_code":"GBP","in_stock":true},{"title":"8x12 inches \/ smooth art paper \/ Black 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