{"product_id":"the-blue-window-by-henri-matisse","title":"Henri Matisse Print – The Blue Window (1913)","description":"\u003ch2\u003eThe Blue Window (1913) by Henri Matisse\u003c\/h2\u003e\n\n\u003cp\u003eHenri Matisse's \u003cstrong\u003e\u003cem\u003eThe Blue Window\u003c\/em\u003e (1913)\u003c\/strong\u003e is an extraordinary modern interior in which the distinction between a room, a window and the landscape beyond almost disappears beneath a remarkable harmony of blue. Painted at Issy-les-Moulineaux during one of the most experimental periods of Matisse's career, the work transforms an everyday bedroom view into an exploration of colour, space and perception.\u003c\/p\u003e\n\n\u003cp\u003eAvailable as a \u003cstrong\u003eHenri Matisse fine art print, framed print or canvas wall art\u003c\/strong\u003e, \u003cem\u003eThe Blue Window\u003c\/em\u003e combines saturated blue, cool green, yellow and touches of red in a composition that feels remarkably contemporary more than a century after it was painted.\u003c\/p\u003e\n\n\u003ch2\u003eA View from Matisse's Home at Issy-les-Moulineaux\u003c\/h2\u003e\n\n\u003cp\u003e\u003cem\u003eThe Blue Window\u003c\/em\u003e was painted during the summer of 1913 at \u003cstrong\u003eIssy-les-Moulineaux\u003c\/strong\u003e, outside Paris, where Matisse had established both a family home and a separate studio.\u003c\/p\u003e\n\n\u003cp\u003eThe view is surprisingly personal. Matisse painted it from the second-floor bedroom he shared with his wife, Amélie.\u003c\/p\u003e\n\n\u003cp\u003eThe foreground represents \u003cstrong\u003eAmélie Matisse's dressing table\u003c\/strong\u003e. Beyond it, the open window reveals trees surrounding the artist's studio building on the neighbouring property.\u003c\/p\u003e\n\n\u003cp\u003eThe studio's distinctive pitched roof and chimney can be seen through the window, although Matisse has transformed them through colour rather than attempting a conventionally realistic representation.\u003c\/p\u003e\n\n\u003cp\u003eThis makes the painting particularly important within his career: \u003cem\u003eThe Blue Window\u003c\/em\u003e is the only known painting in which Matisse depicted the exterior of his Issy studio.\u003c\/p\u003e\n\n\u003ch2\u003eInside and Outside Become One\u003c\/h2\u003e\n\n\u003cp\u003eAt first glance, \u003cem\u003eThe Blue Window\u003c\/em\u003e appears to be a straightforward interior looking through a window towards a garden.\u003c\/p\u003e\n\n\u003cp\u003eLook more closely and conventional space begins to dissolve.\u003c\/p\u003e\n\n\u003cp\u003eThe dressing table is blue. The wall is blue. The sky is blue. Trees outside are also transformed into related blue and green forms.\u003c\/p\u003e\n\n\u003cp\u003eInstead of strongly separating the bedroom from the landscape, Matisse connects the two through colour.\u003c\/p\u003e\n\n\u003cp\u003eThe result is a composition in which \u003cstrong\u003einside and outside appear to occupy almost the same pictorial plane\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eThe yellow studio building beyond the window provides an important contrast, while yellow objects on the dressing table create a visual connection between the distant architecture and the immediate foreground.\u003c\/p\u003e\n\n\u003cp\u003eEverything is linked.\u003c\/p\u003e\n\n\u003cp\u003eThe bedroom, garden, studio and objects on the table become parts of one carefully balanced colour structure.\u003c\/p\u003e\n\n\u003ch2\u003eThe Blue Window and Matisse's Radical Use of Colour\u003c\/h2\u003e\n\n\u003cp\u003eBy 1913, Matisse had moved far beyond the explosive brushwork of his earlier \u003ca href=\"https:\/\/gallerythane.com\/collections\/fauvism-prints\"\u003eFauvist paintings\u003c\/a\u003e, yet the revolutionary lessons of Fauvism remained fundamental to his art.\u003c\/p\u003e\n\n\u003cp\u003eColour did not need to reproduce the appearance of the physical world.\u003c\/p\u003e\n\n\u003cp\u003eIt could instead organise the painting.\u003c\/p\u003e\n\n\u003cp\u003eIn \u003cem\u003eThe Blue Window\u003c\/em\u003e, blue performs several functions simultaneously. It describes the room, joins foreground and background, creates atmosphere and reduces conventional depth.\u003c\/p\u003e\n\n\u003cp\u003eThe result demonstrates why Matisse's use of colour was far more sophisticated than simply choosing unusually bright hues.\u003c\/p\u003e\n\n\u003cp\u003eEach colour exists in relation to everything around it.\u003c\/p\u003e\n\n\u003cp\u003eCool blues and greens dominate the composition, while yellow provides warmth and visual emphasis. Small areas of red become unusually powerful because they are surrounded by cooler tones.\u003c\/p\u003e\n\n\u003ch3\u003eThe Claude Mirror\u003c\/h3\u003e\n\n\u003cp\u003eOne particularly fascinating object appears at the lower right of the painting: a small grey surface surrounded by red.\u003c\/p\u003e\n\n\u003cp\u003eThis has been identified as a \u003cstrong\u003eClaude mirror\u003c\/strong\u003e, a slightly convex tinted mirror traditionally used by artists to simplify a landscape into broad tonal relationships.\u003c\/p\u003e\n\n\u003cp\u003eIts inclusion is especially appropriate in a painting concerned with transforming an observed view into simplified colour and form.\u003c\/p\u003e\n\n\u003ch2\u003eA Painting Matisse Reworked Repeatedly\u003c\/h2\u003e\n\n\u003cp\u003eThe apparent simplicity of \u003cem\u003eThe Blue Window\u003c\/em\u003e conceals an intensive working process.\u003c\/p\u003e\n\n\u003cp\u003eTechnical examination of the painting has shown that Matisse altered the composition substantially while developing it.\u003c\/p\u003e\n\n\u003cp\u003eX-ray and infrared examination reveal earlier branches and leaf shapes beneath the final surface, particularly in the upper-right area of the painting.\u003c\/p\u003e\n\n\u003cp\u003eOther forms were shifted or removed.\u003c\/p\u003e\n\n\u003cp\u003eMatisse also scraped through layers of paint in areas such as the cloud, exposing colours beneath and creating an unusually luminous surface containing traces of pink, blue and green.\u003c\/p\u003e\n\n\u003cp\u003eIn places he incised lines directly into the wet or partially dried paint.\u003c\/p\u003e\n\n\u003cp\u003eThese changes reveal that the apparent clarity of the finished image was achieved through careful revision rather than spontaneous simplification.\u003c\/p\u003e\n\n\u003ch2\u003eThe Blue Window and Matisse's Experimental 1910s\u003c\/h2\u003e\n\n\u003cp\u003e\u003cem\u003eThe Blue Window\u003c\/em\u003e belongs to a particularly important period in Matisse's career.\u003c\/p\u003e\n\n\u003cp\u003eDuring the years surrounding 1913, his paintings became increasingly concerned with structure, flattened space and simplification.\u003c\/p\u003e\n\n\u003cp\u003eMatisse was working in a Parisian art world transformed by Cubism and by the experiments of Pablo Picasso and Georges Braque.\u003c\/p\u003e\n\n\u003cp\u003eAlthough Matisse did not become a Cubist, he responded seriously to many of the same questions concerning pictorial structure and the relationship between three-dimensional reality and the flat surface of a painting.\u003c\/p\u003e\n\n\u003cp\u003eThis resulted in some of his most radical works, including \u003cem\u003eThe Red Studio\u003c\/em\u003e, \u003cem\u003eView of Notre-Dame\u003c\/em\u003e, \u003cem\u003eFrench Window at Collioure\u003c\/em\u003e and \u003cem\u003eThe Piano Lesson\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThe Blue Window\u003c\/em\u003e belongs naturally within this sequence.\u003c\/p\u003e\n\n\u003cp\u003eThe objects remain recognisable, but the painting increasingly operates as an arrangement of coloured shapes.\u003c\/p\u003e\n\n\u003ch2\u003eA Connection with The Red Studio\u003c\/h2\u003e\n\n\u003cp\u003eThe studio visible through the window is particularly significant because it is the same studio environment associated with one of Matisse's greatest paintings, \u003cem\u003eThe Red Studio\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eMatisse had constructed the purpose-built studio at Issy-les-Moulineaux several years earlier.\u003c\/p\u003e\n\n\u003cp\u003eIn \u003cem\u003eThe Red Studio\u003c\/em\u003e, he represented its interior as an extraordinary field of saturated red.\u003c\/p\u003e\n\n\u003cp\u003eIn \u003cem\u003eThe Blue Window\u003c\/em\u003e, painted from the adjoining house, we encounter the studio from outside.\u003c\/p\u003e\n\n\u003cp\u003eThe two works therefore provide remarkably different perspectives on an environment that played a central role in Matisse's artistic development.\u003c\/p\u003e\n\n\u003ch2\u003eThe Remarkable History of The Blue Window\u003c\/h2\u003e\n\n\u003cp\u003eThe painting also has an important twentieth-century provenance.\u003c\/p\u003e\n\n\u003cp\u003eIn 1913, the same year it was painted, \u003cstrong\u003eKarl Ernst Osthaus\u003c\/strong\u003e acquired \u003cem\u003eThe Blue Window\u003c\/em\u003e for the Folkwang Museum in Germany.\u003c\/p\u003e\n\n\u003cp\u003eThe painting later entered the collection of the Folkwang Museum in Essen.\u003c\/p\u003e\n\n\u003cp\u003eIn 1937, however, the Nazi authorities removed it from the museum as part of their campaign against so-called \u003cstrong\u003e“degenerate art”\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eThe work was formally seized by the German state and subsequently passed through the art trade.\u003c\/p\u003e\n\n\u003cp\u003eIt reached New York through the Buchholz Gallery and was acquired by the \u003cstrong\u003eMuseum of Modern Art in 1939\u003c\/strong\u003e through the Abby Aldrich Rockefeller Fund.\u003c\/p\u003e\n\n\u003cp\u003eToday \u003cem\u003eThe Blue Window\u003c\/em\u003e remains part of MoMA's permanent collection and is recognised as an important work from Matisse's experimental period.\u003c\/p\u003e\n\n\u003ch2\u003eOriginal Artwork Details\u003c\/h2\u003e\n\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtist:\u003c\/strong\u003e Henri Matisse (1869–1954)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cem\u003eThe Blue Window\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrench artist:\u003c\/strong\u003e Henri Matisse\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e Summer 1913\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlace painted:\u003c\/strong\u003e Issy-les-Moulineaux, France\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedium:\u003c\/strong\u003e Oil on canvas\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 130.8 × 90.5 cm (51½ × 35⅝ inches)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e The Museum of Modern Art, New York\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCredit:\u003c\/strong\u003e Abby Aldrich Rockefeller Fund\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMoMA object number:\u003c\/strong\u003e 273.1939\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout Henri Matisse\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eHenri Matisse\u003c\/strong\u003e was born in Le Cateau-Cambrésis, France, in 1869 and became one of the defining artists of twentieth-century modernism.\u003c\/p\u003e\n\n\u003cp\u003eAfter initially training in law, Matisse turned to painting and studied in Paris, eventually working under Symbolist painter Gustave Moreau at the École des Beaux-Arts.\u003c\/p\u003e\n\n\u003cp\u003eHis breakthrough came during the first decade of the twentieth century.\u003c\/p\u003e\n\n\u003cp\u003eWorking alongside artists including André Derain, Matisse began using increasingly intense and non-naturalistic colour. Paintings shown at the 1905 Salon d'Automne contributed to the emergence of \u003cstrong\u003eFauvism\u003c\/strong\u003e, the movement with which he became most closely associated during his early career.\u003c\/p\u003e\n\n\u003cp\u003eMatisse never remained confined to Fauvism.\u003c\/p\u003e\n\n\u003cp\u003eHis subsequent career encompassed decorative interiors, monumental figures, still lifes, portraits, increasingly experimental paintings during the 1910s, Mediterranean subjects and finally the remarkable paper cut-outs of his later years.\u003c\/p\u003e\n\n\u003cp\u003eAcross these very different periods, his persistent concerns remained colour, line, rhythm and the simplification of form.\u003c\/p\u003e\n\n\u003cp\u003eExplore more works in GalleryThane's \u003ca href=\"https:\/\/gallerythane.com\/collections\/henri-matisse\"\u003eHenri Matisse prints collection\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch2\u003eHenri Matisse's Painting Style\u003c\/h2\u003e\n\n\u003cp\u003eMatisse's style changed repeatedly during his long career, but several characteristics appear again and again.\u003c\/p\u003e\n\n\u003ch3\u003eColour as Structure\u003c\/h3\u003e\n\n\u003cp\u003eRather than using colour simply to describe objects, Matisse frequently used it to construct the entire composition.\u003c\/p\u003e\n\n\u003ch3\u003eSimplification\u003c\/h3\u003e\n\n\u003cp\u003eMatisse progressively reduced figures, objects and spaces to essential shapes without abandoning their visual identity.\u003c\/p\u003e\n\n\u003ch3\u003eFlattened Space\u003c\/h3\u003e\n\n\u003cp\u003eTraditional perspective often gives way to large coloured areas, tilted surfaces and patterns that draw background and foreground together.\u003c\/p\u003e\n\n\u003ch3\u003eRhythmic Line\u003c\/h3\u003e\n\n\u003cp\u003eContours frequently move through his compositions like arabesques, connecting objects and figures into a larger visual rhythm.\u003c\/p\u003e\n\n\u003ch3\u003eContinuous Experimentation\u003c\/h3\u003e\n\n\u003cp\u003eFrom Fauvist brushwork to austere wartime paintings and eventually paper cut-outs, Matisse repeatedly changed technique while continuing to investigate the relationship between colour, form and expression.\u003c\/p\u003e\n\n\u003ch2\u003eDisplaying The Blue Window in Your Home\u003c\/h2\u003e\n\n\u003cp\u003eA \u003cstrong\u003eThe Blue Window print by Henri Matisse\u003c\/strong\u003e is particularly effective in interiors where colour is used selectively.\u003c\/p\u003e\n\n\u003cp\u003eThe dominant blue palette works naturally with white, cream, soft grey, putty and warm neutral walls. Natural oak and other pale timbers complement its modern palette particularly well, making it a strong choice for Scandinavian-inspired and contemporary interiors.\u003c\/p\u003e\n\n\u003cp\u003eIts vertical format makes it well suited to narrower wall spaces, including beside a fireplace, above a console table, between windows or as part of a carefully arranged gallery wall.\u003c\/p\u003e\n\n\u003cp\u003eThe yellow, green and restrained red accents also provide opportunities to connect the artwork subtly with cushions, ceramics, furniture or other decorative elements without attempting to match every colour exactly.\u003c\/p\u003e\n\n\u003cp\u003eFor blue-led interiors, explore GalleryThane's wider collection of \u003ca href=\"https:\/\/gallerythane.com\/collections\/blue-wall-art\"\u003eBlue Wall Art\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch2\u003eThe Blue Window Prints, Framed Prints and Canvas Wall Art\u003c\/h2\u003e\n\n\u003cp\u003eGalleryThane offers \u003cstrong\u003eThe Blue Window by Henri Matisse\u003c\/strong\u003e in a wide range of sizes and presentation options.\u003c\/p\u003e\n\n\u003cp\u003eChoose a fine art paper print for a traditional presentation, add a professionally made frame and mount for ready-to-display wall art, or select a canvas option for a more contemporary finish.\u003c\/p\u003e\n\n\u003cp\u003eGalleryThane prints and frames its artwork in-house using archival art stocks, pigment inks and carefully selected framing materials.\u003c\/p\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhen did Henri Matisse paint The Blue Window?\u003c\/h3\u003e\n\n\u003cp\u003eMatisse painted \u003cem\u003eThe Blue Window\u003c\/em\u003e during the summer of \u003cstrong\u003e1913\u003c\/strong\u003e at Issy-les-Moulineaux outside Paris.\u003c\/p\u003e\n\n\u003ch3\u003eWhere was The Blue Window painted?\u003c\/h3\u003e\n\n\u003cp\u003eIt was painted from the second-floor bedroom of Henri and Amélie Matisse's home at Issy-les-Moulineaux. The view through the window looks towards Matisse's separate studio building on the adjoining property.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does The Blue Window show?\u003c\/h3\u003e\n\n\u003cp\u003eThe foreground shows Amélie Matisse's dressing table, while the window beyond reveals trees and the distinctive roof and chimney of Matisse's studio.\u003c\/p\u003e\n\n\u003ch3\u003eWhy is The Blue Window so blue?\u003c\/h3\u003e\n\n\u003cp\u003eMatisse was not attempting to reproduce natural colour literally. Blue is used across the wall, dressing table, sky and landscape to unite the interior and exterior into a single pictorial structure.\u003c\/p\u003e\n\n\u003ch3\u003eIs The Blue Window a Fauvist painting?\u003c\/h3\u003e\n\n\u003cp\u003eIt was painted in 1913, several years after the concentrated Fauvist period of approximately 1905–07. Nevertheless, Matisse's Fauvist discovery that colour could operate independently from natural appearance remained fundamental to the work.\u003c\/p\u003e\n\n\u003ch3\u003eIs the building outside the window Matisse's studio?\u003c\/h3\u003e\n\n\u003cp\u003eYes. The building visible among the trees is Matisse's studio at Issy-les-Moulineaux. The painting is particularly unusual because it is the only work in which he depicted the exterior of this studio.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the small grey object in The Blue Window?\u003c\/h3\u003e\n\n\u003cp\u003eThe grey rectangular object framed in red at the lower right has been identified as a Claude mirror, a tinted convex mirror historically used by artists to simplify the colours and tonal relationships of a landscape.\u003c\/p\u003e\n\n\u003ch3\u003eDid Matisse alter The Blue Window while painting it?\u003c\/h3\u003e\n\n\u003cp\u003eYes. Technical examination has revealed numerous revisions. Branches and foliage were altered, shapes were moved, and Matisse scraped through paint layers and incised lines into the surface while developing the final composition.\u003c\/p\u003e\n\n\u003ch3\u003eWhat medium did Matisse use for The Blue Window?\u003c\/h3\u003e\n\n\u003cp\u003eThe original painting is \u003cstrong\u003eoil on canvas\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003ch3\u003eHow large is the original The Blue Window?\u003c\/h3\u003e\n\n\u003cp\u003eThe original measures approximately \u003cstrong\u003e130.8 × 90.5 cm\u003c\/strong\u003e, or 51½ × 35⅝ inches.\u003c\/p\u003e\n\n\u003ch3\u003eWhere is the original The Blue Window?\u003c\/h3\u003e\n\n\u003cp\u003eThe original belongs to the \u003cstrong\u003eMuseum of Modern Art in New York\u003c\/strong\u003e, where it entered the collection in 1939 through the Abby Aldrich Rockefeller Fund.\u003c\/p\u003e\n\n\u003ch3\u003eWhat happened to The Blue Window during Nazi rule?\u003c\/h3\u003e\n\n\u003cp\u003eThe painting had belonged to the Folkwang Museum in Germany. In 1937 it was removed by the Nazi authorities as so-called “degenerate art” and subsequently seized by the German state before eventually reaching the United States.\u003c\/p\u003e\n\n\u003ch3\u003eWhen did MoMA acquire The Blue Window?\u003c\/h3\u003e\n\n\u003cp\u003eThe Museum of Modern Art acquired the painting on 13 April 1939 through the Abby Aldrich Rockefeller Fund.\u003c\/p\u003e\n\n\u003ch3\u003eWhat colours work well with a The Blue Window print?\u003c\/h3\u003e\n\n\u003cp\u003eIts blue, turquoise, green and yellow palette works particularly well with white, cream, putty, pale grey, natural timber, navy and restrained yellow accents.\u003c\/p\u003e\n\n\u003ch3\u003eIs The Blue Window suitable for a modern interior?\u003c\/h3\u003e\n\n\u003cp\u003eYes. Its simplified shapes, dominant blue palette and flattened composition give the painting a remarkably modern appearance. It works especially well within contemporary, Scandinavian-inspired and mid-century interiors.\u003c\/p\u003e\n\n\u003ch3\u003eCan I buy The Blue Window as a framed print?\u003c\/h3\u003e\n\n\u003cp\u003eYes. GalleryThane offers \u003cem\u003eThe Blue Window\u003c\/em\u003e as a fine art print with framing options, as well as canvas formats in a range of sizes.\u003c\/p\u003e\n","brand":"OnTrendAndFab","offers":[{"title":"6x9 inches \/ smooth art paper \/ unframed print","offer_id":44247169433791,"sku":"","price":19.95,"currency_code":"EUR","in_stock":true},{"title":"6x9 inches \/ Premium Fine Art Paper \/ unframed print","offer_id":44247169466559,"sku":"","price":24.95,"currency_code":"EUR","in_stock":true},{"title":"8x12 inches \/ smooth art paper \/ unframed print","offer_id":44247169532095,"sku":"","price":25.95,"currency_code":"EUR","in_stock":true},{"title":"8x12 inches \/ smooth art paper \/ Black frame with white mount","offer_id":44247169564863,"sku":"","price":149.95,"currency_code":"EUR","in_stock":true},{"title":"8x12 inches \/ Premium Fine Art Paper \/ unframed print","offer_id":44247169597631,"sku":"","price":32.95,"currency_code":"EUR","in_stock":true},{"title":"8x12 inches 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