{"product_id":"cassis-landscape-french-riviera-henri-manguin","title":"Cassis Landscape, French Riviera, Henri Manguin","description":"\u003ch2\u003eHenri Manguin – Cassis Landscape (1912) Prints\u003c\/h2\u003e\n\n\u003cp\u003eBring the brilliant light and expressive colour of southern France into your home with a \u003cstrong\u003eHenri Manguin Cassis Landscape print\u003c\/strong\u003e. Painted in the late summer of 1912, \u003cem\u003eCassis\u003c\/em\u003e captures the Mediterranean landscape through the vivid palette and simplified forms that remained central to Manguin's art after his early association with Fauvism.\u003c\/p\u003e\n\n\u003cp\u003eAvailable as fine art prints and canvas panels, this colourful French Riviera landscape transforms the scenery around Cassis into a harmonious arrangement of blues, greens and warmer Mediterranean tones. Rather than recording every detail literally, Manguin concentrates on colour, light and the underlying structure of the landscape.\u003c\/p\u003e\n\n\u003ch3\u003eCassis and the French Mediterranean\u003c\/h3\u003e\n\n\u003cp\u003eCassis lies on the Mediterranean coast east of Marseille, surrounded by limestone hills, sheltered bays and the brilliant light of Provence.\u003c\/p\u003e\n\n\u003cp\u003eFor painters such as Manguin, southern France offered very different visual conditions from Paris. Strong sunlight intensified colour, while the contrast between pale rock, vegetation, sea and sky encouraged increasingly adventurous approaches to landscape painting.\u003c\/p\u003e\n\n\u003cp\u003eManguin had already discovered the artistic possibilities of the Mediterranean during the formative years of Fauvism. By the time he painted \u003cem\u003eCassis\u003c\/em\u003e in 1912, this fascination with southern light had become a defining feature of his mature work.\u003c\/p\u003e\n\n\u003ch2\u003ePainting Style\u003c\/h2\u003e\n\n\u003ch3\u003eFauvist Colour in Manguin's Mature Landscape Painting\u003c\/h3\u003e\n\n\u003cp\u003eAlthough the brief historic period of Fauvism had largely passed by 1912, its influence remained fundamental to Manguin's art.\u003c\/p\u003e\n\n\u003cp\u003eColour was no longer required to reproduce the landscape exactly as it appeared. Instead, Manguin could intensify or simplify colours to communicate atmosphere and establish relationships between different parts of the composition.\u003c\/p\u003e\n\n\u003cp\u003eGreens, blues and warmer earth tones are used as structural elements as much as descriptive ones. Hills, vegetation and open spaces are organised into clear passages of colour, allowing the viewer to experience the landscape as both a recognisable place and an arrangement of painted forms.\u003c\/p\u003e\n\n\u003ch3\u003eFrom Fauvism to a More Harmonious Style\u003c\/h3\u003e\n\n\u003cp\u003eManguin had exhibited alongside Henri Matisse, André Derain and other Fauvist painters at the famous 1905 Salon d'Automne. Their brilliant, unconventional colours helped redefine the possibilities of modern painting.\u003c\/p\u003e\n\n\u003cp\u003eAs Manguin's career developed, however, his colour became increasingly associated with harmony rather than deliberate visual shock.\u003c\/p\u003e\n\n\u003cp\u003eIn \u003cem\u003eCassis\u003c\/em\u003e, the landscape remains vivid, but there is a greater sense of balance and stability than in the most radical Fauvist paintings of 1905–06. The strong palette works together to communicate sunlight and Mediterranean atmosphere without sacrificing the underlying structure of the landscape.\u003c\/p\u003e\n\n\u003cp\u003eThis lyrical approach became one of the distinguishing characteristics of Manguin's mature work.\u003c\/p\u003e\n\n\u003ch3\u003eLandscape Simplified Through Colour\u003c\/h3\u003e\n\n\u003cp\u003eManguin does not attempt to describe Cassis with photographic precision. Individual details are subordinated to larger shapes and colour relationships.\u003c\/p\u003e\n\n\u003cp\u003eThis simplification gives the painting its modern appearance. Trees, hills and areas of open land are reduced to broad painted forms, allowing the eye to move easily across the composition.\u003c\/p\u003e\n\n\u003cp\u003eVisible brushwork reinforces the impression of immediacy. Rather than concealing the process of painting beneath a polished surface, Manguin allows individual strokes and passages of colour to remain apparent.\u003c\/p\u003e\n\n\u003cp\u003eThe result is a landscape that feels spontaneous while remaining carefully organised.\u003c\/p\u003e\n\n\u003ch3\u003eThe Influence of Cézanne and Southern France\u003c\/h3\u003e\n\n\u003cp\u003eLike many French painters of Manguin's generation, he was deeply aware of Paul Cézanne's transformation of landscape painting.\u003c\/p\u003e\n\n\u003cp\u003eCézanne had demonstrated how hills, trees and buildings could be simplified into substantial forms while retaining a convincing sense of place. Manguin combined this structural awareness with the much freer colour he had developed through Fauvism.\u003c\/p\u003e\n\n\u003cp\u003eSouthern France provided an ideal environment for this synthesis. Its strong light encouraged brilliant colour, while the distinctive geology and vegetation of Provence offered clear shapes through which a composition could be organised.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eCassis\u003c\/em\u003e therefore represents a mature balance between expressive colour and carefully constructed landscape.\u003c\/p\u003e\n\n\u003ch3\u003eA Documented Work from 1912\u003c\/h3\u003e\n\n\u003cp\u003eThe original \u003cem\u003eCassis\u003c\/em\u003e was painted in the late summer of 1912 in oil on canvasboard.\u003c\/p\u003e\n\n\u003cp\u003eThe Paris dealer Galerie Eugène Druet acquired the painting directly from Manguin in December of that year. It was subsequently shown in the gallery's 1913 exhibition devoted to the artist.\u003c\/p\u003e\n\n\u003cp\u003eThe work is also recorded in the catalogue raisonné of Henri Manguin's paintings, confirming its place within his established body of Mediterranean landscapes.\u003c\/p\u003e\n\n\u003ch3\u003eCassis Landscape Wall Art for Modern Interiors\u003c\/h3\u003e\n\n\u003cp\u003eA \u003cstrong\u003eHenri Manguin Cassis Landscape wall art print\u003c\/strong\u003e is particularly suited to interiors where colour is intended to create warmth without overwhelming the room.\u003c\/p\u003e\n\n\u003cp\u003eIts Mediterranean palette works well with contemporary, Scandinavian, mid-century modern and Mediterranean-inspired interiors. Neutral walls in white, cream, putty, beige and warm grey allow the stronger colours to become the focal point.\u003c\/p\u003e\n\n\u003cp\u003eNatural wood, linen and understated furniture complement the landscape's relaxed character particularly well.\u003c\/p\u003e\n\n\u003cp\u003eDisplayed above a sofa, sideboard, console table or fireplace, a \u003cstrong\u003eManguin Cassis print\u003c\/strong\u003e introduces both Mediterranean atmosphere and an important connection with French modern art.\u003c\/p\u003e\n\n\u003ch2\u003eAbout Henri Manguin\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eHenri Manguin\u003c\/strong\u003e (1874–1949) was a French painter and an important figure in the development of Fauvism.\u003c\/p\u003e\n\n\u003cp\u003eBorn in Paris, he studied at the École des Beaux-Arts under Gustave Moreau alongside artists including Henri Matisse and Albert Marquet.\u003c\/p\u003e\n\n\u003cp\u003eManguin initially absorbed influences from Impressionism before developing the increasingly vivid colour that brought him into the Fauvist circle. In 1905 he exhibited at the Salon d'Automne alongside Matisse, André Derain and other artists whose brilliant palettes led critic Louis Vauxcelles to call them \u003cem\u003eles fauves\u003c\/em\u003e – “the wild beasts”.\u003c\/p\u003e\n\n\u003cp\u003eSouthern France became one of Manguin's most enduring sources of inspiration. Saint-Tropez, Cassis and other Mediterranean locations provided landscapes filled with the sunlight, vegetation and colour ideally suited to his artistic temperament.\u003c\/p\u003e\n\n\u003cp\u003eUnlike some of the more forceful Fauvist painters, Manguin generally developed a warmer and more harmonious visual language. Landscapes, bathers, gardens, still lifes and portraits of his wife Jeanne dominate his work.\u003c\/p\u003e\n\n\u003cp\u003eToday, \u003cstrong\u003eHenri Manguin prints\u003c\/strong\u003e are admired for their combination of brilliant colour, Mediterranean atmosphere and lyrical modernism.\u003c\/p\u003e","brand":"OnTrendAndFab","offers":[{"title":"8x10 inches \/ smooth art paper","offer_id":42202600243391,"sku":null,"price":24.95,"currency_code":"EUR","in_stock":true},{"title":"8x10 inches \/ Premium Fine Art Paper","offer_id":42202600276159,"sku":null,"price":27.95,"currency_code":"EUR","in_stock":true},{"title":"8x10 inches \/ rolled canvas with extra border","offer_id":42202600308927,"sku":null,"price":44.95,"currency_code":"EUR","in_stock":true},{"title":"8x10 inches \/ lustre photo paper","offer_id":42202600341695,"sku":null,"price":24.95,"currency_code":"EUR","in_stock":true},{"title":"11x14 inches \/ smooth art 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