William McGregor Paxton Prints – Interiors, Figures & Harbour Light

William McGregor Paxton prints bring attentive figures into rooms shaped by furniture, fabrics and small decorative objects. Outdoor harbour views offer a brighter counterpart to the enclosed interiors. Explore these changes of setting alongside figurative prints and still life art, where objects become subjects in their own right.

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The other door, William McGregor Paxton Fine Art Print
From €24,95
William McGregor Paxton Print, The Letter (1910)
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William McGregor Paxton Print, The Green Dress (1914)
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William McGregor Paxton Print, The Figurine (1921)
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William McGregor Paxton Print, The Crystal, 1900
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William McGregor Paxton Print, The Blue Jar (1913)
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William McGregor Paxton Print, Tea Leaves (1909)
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William McGregor Paxton Print, Seated Nude With Sculpture
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William McGregor Paxton Print, Rose and blue (1913)
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William McGregor Paxton Print, Louise Converse (Mrs. Junius S. Morgan III)
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William McGregor Paxton Print, Phryne (c1923)
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William McGregor Paxton Print, Gloucester Harbor
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William McGregor Paxton Print, Glitter (1930)
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Interior with two Nudes, William McGregor Paxton Fine Art Print
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The Front Parlor, William McGregor Paxton Fine Art Print
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Nonchalance, William McGregor Paxton Fine Art Print
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The House Maid, William McGregor Paxton Fine Art Print
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Glow of Gold, Gleam of Pearl, William McGregor Paxton Fine Art Print
From €21,95

A seated figure and a blue vessel

The Letter places a woman at a desk beside a round table carrying a large blue vase. The dark furniture creates distinct areas within the warm room. Her lowered head and folded posture direct attention towards a quiet activity rather than towards an encounter with the viewer.

Two figures sharing a table

Tea Leaves sets white clothing and a pale tablecloth against the room’s darker screen and furniture. One figure stands while the other sits, creating different levels around the cups. Small objects help connect their gestures, giving an ordinary domestic action a carefully balanced arrangement.

Open water beyond the interiors

Gloucester Harbor looks across blue water towards moored boats, waterfront buildings and a church spire. Green foreground grass and bright roof colours make the scene more open than the enclosed rooms. The boats and vertical masts provide a repeated structure across the otherwise horizontal harbour view.

Related artists and collections

Compare composed rooms in Johannes Vermeer, figures at leisure in William Merritt Chase and interior light in Frederick Carl Frieseke. Further figurative art follows the sitters and their activities, while boat and sailing prints develops the harbour side of the collection.

Read more in our guide to William McGregor Paxton.