The narrative gathered around the window

The Passing of Robin Hood places a pale-clothed figure beside a bright leaded window, holding a bow within a sparsely furnished room. Another figure stands farther back in shadow. The strong contrast between the opening and the darker interior gives a small set of gestures and objects particular prominence.

Rocky ground above a blue channel

Georges Islands, Penobscot Bay, Maine sets warm grass and pale rocks in the foreground near a small evergreen tree. Low islands extend across deep blue water beneath a pinkish sky. The broad horizontal bands offer a quieter counterpart to the tightly focused figures and enclosed narrative settings elsewhere in the collection.

An activity surrounded by equipment

The Alchemist groups figures around vessels and a small furnace inside a close room. Shelves, papers and a bright opening divide the surrounding space. The equipment provides a setting for the encounter, while the different directions of the bodies guide attention between the people and the task before them.

Related artists and collections

Compare narrative imagination in Gustave Doré, outdoor work in Winslow Homer and clearly organised figure scenes in Thomas Eakins. Further figurative prints follows gestures and tasks, while landscape art develops the coast, open water and quieter natural settings within the collection.

Read more in our Frederic Remington’s narrative art.