Filters
Sort by

The waterway and its distant shore

One Hundred Views of Musashi, No. 4 opens across pale blue water dotted with boats towards a green mountain. Near vessels and more distant sails establish several levels of space within the narrow format. Other water views can be compared through the balance of shoreline, open water and distant land.

A close bank and a distant mountain

One Hundred Views of Musashi, No. 18 brings a high, tree-covered edge into the foreground, with a pale mountain visible beyond. The change between near vertical forms and distant open space gives the view its structure. Browse Japanese landscape art for further compositions built around depth and framing.

Figures and the edge of the image

One Hundred Views of Musashi, No. 27 gives a red-clad foreground figure a prominent place at one edge, with smaller faces beyond. The close framing offers a contrast with the more open waterside views. Looking across the selection reveals how different subjects occupy the same upright format.

Related artists and collections

Compare the views of Andō Hiroshige, Katsushika Hokusai and Hasui Kawase. The landscapes of Watanabe Shōtei and the wider Japanese collection offer further settings and approaches.

Read more in our guide to Japanese ukiyo-e and woodblock prints.