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Looking from the rocky foreground

Wanderer Above the Sea of Fog places a solitary figure with his back to the viewer above a cloud-filled landscape. Dark rock anchors the foreground while distant peaks appear through pale mist. The concealed ground makes the gaps between the visible forms central to the experience of depth.

Figures beneath the opening sky

Moonrise over the Sea groups figures on dark coastal rocks beneath a broad glow near the horizon. Small boats and upright masts provide finer accents within the open distance. The low, still arrangement contrasts with the elevated viewpoint of the wanderer, drawing attention to the meeting of sea and sky.

A landscape of tilted planes

Sea of Ice builds the foreground from large angular slabs of broken ice. Warm brown and pale surfaces overlap before the colder blue distance. The abrupt edges create a sense of pressure and obstruction, replacing the open viewing space of the other scenes with a dense accumulation of forms.

Related artists and collections

Compare changing light in J. M. W. Turner, dramatic coasts in Ivan Aivazovsky and imagined places in Karl Wilhelm Diefenbach. Further landscape prints and seascapes offer different balances of weather, space and the human presence within nature.

Read more in our guide to Caspar David Friedrich.